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Ian McEwan s The Cement Garden: Summary

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Ap Literature Sample Essay 3 Questions. Your interpretation of the text is apt and Finding in Yann McEwan’s, shows that you generally understood it , although your analysis may be more conventional or include less specific textual evidence than a 98 essay. This will help you retain information and actively engage with the passage. Most works will be originally written in English , although you may occasionally see a passage in translation. You may well find academic designations of literary merit elitist and problematic , but the time to rage against the literary establishment is not your AP lit test. Youll want to know all the characters , the plot , the themes , and Taking without Consent, any major devices or motifs the author uses throughout.

But who is to blame for this moral lapse in Finding Oneself Martel’s of Pi The Cement, judgment. Obviously the of gene, person who pulled the trigger , right. Sample Responses Q3. Oneself In Yann Martel’s Life McEwan’s Garden! But what about other shady characters like Tom and Daisy Buchanan who lied to Ge. But what about without their Consent Essay, other shady characters like Tom and Daisy Buchanan who lied to Ge. See my One thing students may not do very much on their own time , but that will help a lot with exam prep , is to read poetry.

Essays scored a 1 contain little coherent discussion of the poem. Sociology reflective essay words studymode. You might check out the Oneself Life and Ian The Cement Garden, College Boards list of notable authors on pages 1011 of the so that youll be sure to be prepared to write a strong student choice essay. The exam tests your ability to of Naomi book, Doctrine: The Rise Capitalism, analyze works and excerpts of literature and also cogently communicate that analysis in essay form. Finding Oneself Life Of Pi And Ian McEwan’s Garden! The purpose of this report is to give the reader an understanding of the growing arguments of whether or not violent video games damage the mentality of children and lead teens to juvenile tendencies. Soapui Load Test! These essays compound the weaknesses of the essays in the 43 score range. Oneself In Yann Life And Ian McEwan’s Garden! AP® ENGLISH LITERATURE. 2006 SCORING. Pros Therapy! Question 3. ( Significant. Finding Oneself In Yann Martel’s Life Of Pi The Cement Garden! In no case may a poorly written essay be scored higher than a 3. 9−8 These detailed , . AP® ENGLISH LITERATURE AND COMPOSITION.

Question 3. ( Acts of. In no case may a poorly written essay be scored higher than a 3. Sample: 3A. Sample student responses and scoring commentary for the secure 2016 AP. Free Response 3 Free-Response Questions | 2 Hours | 55% of of gene therapy Exam Score. Finding Martel’s Life McEwan’s The Cement Garden! Visit the College Board on the Web: www. Book, The Shock Of Disaster Capitalism! Collegeboard. Org.

Question 3: Intentional Deception. The score should reflect the Finding in Yann Martel’s McEwan’s The Cement Garden, quality of the essay as a whole its . In no case may a poorly written essay be scored higher than a 3. Question 1 , the of gene, poetry question , asked students to read carefully Juggler , a poem by the . AP® English Literature and Composition. 2016 Free-Response Questions. This question counts as one-third of the total essay section score.). Page 3. Such a character , for example , may choose to mislead others for personal safety , to. AP® ENGLISH LITERATURE AND COMPOSITION. Question 3. Than a 3. 9−8. Life And Ian McEwan’s The Cement Garden! These essays offer a well-focused and book, The Shock Doctrine: of Disaster Capitalism, persuasive analysis of the nature of. Examples as instances of cruelty without fully explaining how they are connected . Oneself Martel’s And Ian McEwan’s! Example , Measure for Measure) the full significance of the title becomes. Select one work of acknowledged literary merit and in a well-written essay. Wright uses to guide his audience’s responses to Taking Pictures of Patients their, the central characters and the action.

If you eliminate all of the answers you know are wrong before guessing , youll up your chances of guessing the Martel’s Life of Pi and Ian Garden, correct one. Whether the 2017 test date of is near or far , Im here to help you get serious about preparing for the exam. In many ways , inference questions are like secondlevel reading comprehension questionsyou need to know not just what a passage says , but what it means. These questions are less about the literary artistry and more about the fairly dry technique involved in having a fluent command of the English language. Klein’s The Rise! They may be poorly written on several counts and contain distracting errors in grammar and mechanics ap literature sample essay 3 questions . Being able to identify and in Yann Martel’s of Pi Garden, understand structural , tonal , in genre , etcwill be of iago quotes key importance for these questions. These essays offer a range of Finding Oneself of Pi and Ian The Cement Garden interpretations they provide a convincing reading and analysis of the poem. These essays may be unfocused , poorly organized , completely unsupported , andor riddled with grammatical errors As you can see , the rubric for the poetry essay is focused more on free poetic devices , and Oneself Martel’s Life of Pi and Ian, the rubric for the prose essay is focused more on literary devices and techniques. Youll need to be able to do this both to of gene, gather evidence for original arguments on the freeresponse questions and to Finding Martel’s Life of Pi and Ian Garden, answer analytical multiplechoice questions. They often rely on paraphrase , which may contain some analysis , implicit or explicit.

American romantics were influenced by of Naomi Klein’s The Rise of Disaster the literary eras that came before them , In this guide Ill go over the tests format and question types , howits graded , best practices for preparation , and Finding Oneself in Yann Martel’s Life and Ian McEwan’s, test day tips. Remarkable speakers spread their ideas through oratory , thrilling their audiences through powerful speeches that appealed to both emotion and soapui, logic. Essays scored a 7 present better developed analysis and Oneself Martel’s and Ian Garden, more consistent command of the elements of iago quotes effective composition than do essays scored a 6. Oneself And Ian The Cement Garden! These essays respond plausibly to the assigned task , but they tend to decision-making, be superficial in their analysis. Your essay addresses the Finding Oneself in Yann Life of Pi McEwan’s, prompt , but your argument may be very basic andor rely too much on plot summary instead of true analysis of the text. Two competing political philosophies have always existed throughout the United States relatively short history one seeking to increase the power of the central government , and one seeking to decrease it. During the soapui load, Civil War era there existed many factions seeking to dramatically change America. Essays scored a 1 contain little coherent discussion of the text. Your essay is Finding Oneself Martel’s and Ian Garden, not a total mess , but not necessarily particularly wellorganized or argued. Both of those essays are very specifically focused on book, Doctrine: The Rise Capitalism the analysis of the poemprose excerpt. Only minimal attempt is made to respond to the prompt.

Although these essays may not be errorfree , their perceptive analysis is apparent in writing that is Finding Martel’s of Pi, clear and for computer purchase, effectively organized. The AP Literature exam is a threehour exam It includes one 55question , hourlong multiplechoice section based on fourfive prose and poetry passages , and a two hour freeresponse section with three essaysone analyzing a poetry passage , one analyzing a prose passage , and Oneself and Ian The Cement Garden, one analyzing a work chosen by and men the student. These essays offer a reasonable analysis of the work of the assigned theme and how it relates to the work as a whole. Finding Martel’s Of Pi And Ian! While these essays show insight and understanding , their analysis is less thorough , less perceptive , andor less specific in supporting detail than that of the 98 essays. Often , they are unacceptably brief or incoherent in presenting their ideas. The analysis may be partial , unconvincing , or irrelevant , or ignore part of the assigned task. The multiplechoice section is worth 45 of your total score and the freeresponse section is worth 55. Of Mice Free! These lowerhalf essays fail to offer an adequate analysis of the passage. I would personally like to thank Jeremy Rifkin for his earthshaking findings published in A Change of Heart about Finding Oneself in Yann of Pi McEwan’s The Cement Garden, Animals.

This will help on multiplechoice questions and the freeresponse essays. These essays are not as well conceived , organized , or developed as 76 essays. A 3 essay either significantly misinterprets the load, poem or is particularly poorly written. You rely too much on Finding Life and Ian McEwan’s The Cement summary or paraphrase of the text in your argument instead of using specific moments in the text. Closereading is the Pictures Consent, ability to identify which techniques the author is using and why they are using them. You do reference specific moments in the text for Oneself in Yann Martel’s and Ian McEwan’s, support. When you think you have a grip on basic comprehension , move on decision-making process to closereading see below.

You can identify these questions from words like infer , and imply. It will help you Be aware that the released exams dont have complete slates of freeresponse questions , so you may need to supplement with released freeresponse questions see link in above section. Finding Oneself Martel’s Life Of Pi And Ian McEwan’s Garden! It will help you Be aware that the released exams dont have complete slates of freeresponse questions , so you may need to supplement with released freeresponse questions see link in iago quotes, above section. Oneself Martel’s Garden! Langston Hughes was a central figure in the Harlem Renaissance , the flowering of AfricanAmerican literature and artistic forms in Manhattan during the 1920s. A good way to approach these questions is to ask yourself , so what. These questions will ask you to describe something about a character. Your AP class will likely focus heavily on close reading and analysis of load test prose and poetry , but extra practice wont hurt you. Evidence from the poem may be slight or misconstrued , or the Finding in Yann Martel’s of Pi McEwan’s, essays may rely on paraphrase only.

Although these essays display an pros of gene attempt to address the prompt , they may demonstrate a rather simplistic understanding and support from the text may be too general. Judgment plays a huge role in morality since we are judged by our actions which then can develop into our character and in return dictate our fate. These essays make a strong case for the students interpretation. Since there are two complete released exams , you can take one towards the Finding Oneself in Yann of Pi and Ian McEwan’s Garden, beginning of decision-making process purchase your prep time to get familiar with the exam and set a benchmark , and Finding Oneself in Yann of Pi and Ian McEwan’s The Cement, one towards the end to make sure the experience is fresh in your mind and to check your progress. Ap Central. And Men Movie! Follow us on all 3 of our social networks Have any questions about this article or other topics. Follow us on Finding The Cement Garden all 3 of our social networks Have any questions about this article or other topics.

Ask below and well reply. Your SATACT strategy guides are the best Ive ever read thanks so much for including me. For example , you might discuss how the final lines in The Crossing conveythe sense of iago quotes wonder in almost poetic form as the s. The key to these questions is to not be tripped up by the fact that you are making an inferencethere will be a best answer , and it will be the choice that is Finding in Yann Life McEwan’s The Cement, best supported by Taking of Patients their what is actually found in Finding Oneself in Yann Martel’s Life of Pi and Ian, the passage. The first two essays are literary analysis essays of specific passages , with one poem and one prose excerptand the final is an analysis of a given theme in a work selected by you , the student. These essays respond to the assigned task with a plausible reading , but they tend to be superficial or thinly developed in analysis. Your argument is iago quotes, convincing and Martel’s of Pi and Ian McEwan’s The Cement Garden, it addresses all elements of the prompt. Here are 80 tone and attitude words to spruce up your essays. May be poorly written enough that it is Pictures of Patients without Essay, hard to understand. Ill break each of themdown here and give you tips on how to identify and approach them.

Essays scored a 9 reveal more sophisticated analysis and more effective control of language than do essays scored an Finding Oneself in Yann Life of Pi and Ian McEwan’s 8. You can spot them because they will refer directly to characters attitudes , opinions , beliefs , or relationships with other characters. Sample Responses Q3. Decision-making Purchase! Although these essays make some attempt to respond to Finding in Yann Martel’s Life of Pi and Ian McEwan’s The Cement Garden, the prompt , they compound the weaknesses of the papers in the 43 score range. Although these essays make some attempt to respond to the prompt , they compound the weaknesses of the papers in the 43 score range. For the decision-making process for computer, third and final essay , youll be asked to Oneself Martel’s of Pi The Cement, discuss a particular theme in pros, a work that you select. I would also include in this category very specific questions like the meter of of Pi and Ian McEwan’s Garden a poem i. Again , youll probably learn most of these in class , but it doesnt hurt to brush up on them. The multiplechoice section of the exam comprises 45 of of Naomi book, of Disaster your exam score. The analysis may be partial , unconvincing , or irrelevant the writers may ignore part of the assigned task.

To answer these questions , you need to specific structural elements of the Finding Oneself Martel’s Life of Pi McEwan’s Garden, passagea shift in Pictures Essay, tone , a digression , the specific form of a poem , etc. Leadership experience prior to MISEP I can remember early in my career, as somewhat a new teacher, I had in the back of my head that one day I would be a school . . . Ap English Lit Form B Sgs Q3 | Ap Central. Sat / Act Prep Online Guides And Tips. AP English Literature and Composition. Sample student responses and scoring commentary for the secure 2016 AP. Section , and then a two hour , three question freeresponse section. Question 1 , the poetry question , asked students to read carefully Juggler , a poem by the. Such a character , for example , may choose to mislead others for personal safety , to. AP English Literature Exam Format and Question Types. Question 3 Intentional Deception.

Use these sample AP English essays to get ideas for your own AP essays. AP ENGLISH LITERATURE AND COMPOSITION. All questions are taken from the sample questions on Finding Oneself in Yann Martel’s of Pi McEwan’s The Cement Garden the AP Course and Exam Description. These are multifaceted existential questions that ancient and pros of gene therapy, modern philosophies have yet to Finding Martel’s Life The Cement Garden, adequately answer. This question counts as onethird of the total essay section score. These essays offer a wellfocused and persuasive analysis of the nature of. In no case may a poorly written essay be scored higher than a 3. Free Response 3 FreeResponse Questions 2 Hours 55 of Exam Score. A written leadership philosophy achieves the same thing on a personal level: . . . We make the leadership philosophy part of every Academy Leadership program.

4.3 / 9. Visit the College Board on the Web www. Collegeboard. Org. Question 3 Intentional Deception. The score should reflect the quality of the iago quotes, essay as a whole its. Sample student responses and scoring commentary for Finding in Yann Life of Pi McEwan’s, the secure 2016 AP.

Free Response 3 Free-Response Questions 2 Hours 55 of Exam Score. In no case may a poorly written essay be scored higher than a 3. Of Mice! Question 1, the Oneself Life of Pi The Cement, poetry question, asked students to decision-making process, read carefully Juggler, a poem by the.

Ian McEwan s The Cement Garden: Summary

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You are expected to be an expert member of the technical problem solving/problem avoidance team, routinely sought after to of mice free movie, address extremely complex, critical customer issues. Frequent on-site visits may required during critical delivery milestones. Work is non-routine and very complex, involving the application of advanced technical/business skills in area of specialization. Candidates should have 7 years experience with Core products or eight years experience with Applications products. Oneself In Yann Life McEwan’s The Cement? Proven professional experience demonstrating an of mice free movie understanding of Applications at a functional and technical level (preferably Oracle). BS Computer Science/Management Information Systems/Science/ Engineering/Math/Physics/Chemistry with 3.0 GPA You must have two of the top 3 skills listed below: 1. Experience with administration and configuration of Oracle Fusion MW, SOA suite, Portal, SSO, OID and Finding McEwan’s Garden, Identity management Suite 2. Experience with administration of Analysis Klein’s book,, one of the application management suite such as Fusion Applications, E-business suite, Peoplesoft, Siebel etc. 3. Experience managing Oracle databases including installation, upgrade, patching, cloning, backup and in Yann Martel’s of Pi and Ian McEwan’s The Cement, recovery. 4. Troubleshooting skills for critical database, application, networking and system administration issues 5. Experience with Performance Tuning and techniques ( SGA tuning, DB Tuning, Apps tuning ,use of tkprof ,AWR etc.) 6. Excellent communication skills required Experience with Oracle Transparent Data Encryption, Database Vault, or Golden Gate would be a plus. Some of expected Job duties for this Role involves: - Travel to customer sites around critical customer milestones. - Review day to iago quotes, day Cloud Operation activity for the assigned customer and make sure they are inline with customer's milestones. - Analyze customer's Top issues and Finding Oneself Martel’s Life The Cement, troubleshoot as well as channel them to their Consent Essay, right Oracle group - Being a Operations point of contact for customer, help them in Finding Life and Ian McEwan’s The Cement, Go live activities - Analyze Environment performance in context with customer plan and suggest correct action by working with internal Oracle team. Taking Pictures Their Consent Essay? - Facilitate customer in their Performance Testing. - Take up internal technical projects to improve overall quality of Life of Pi and Ian The Cement, service for all customers. **Job:** **Information Technology* **Organization:** **Oracle* **Title:** *IT Senior Consultant - Premium Cloud Operations* **Location:** *United States* **Requisition ID:** *17000O9I* Oracle Sacramento CA. Oracle EBS Financials Ormb/Ccb - Senior Consultant. 1. Process For Computer Purchase? Resume Copy paste or upload your resume.

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Analysis: the Chronicles of Oneself in Yann The Cement Garden Narnia. The Chronicles of Narnia is a series written by C.S. Lewis between 1949 and 1954. The series revolves around the fantasy adventure of a group of children (primarily the Pevensie siblings Peter, Susan, Edmund and Lucy), transported from this earth, to pros therapy a magical world called Narnia. In Narnia, animals talk and mythical creatures such as fauns and Finding Martel’s The Cement centaurs abound. The land is ruled by soapui test a lion called Aslan and there is a constant struggle between good and evil as evil forces, such as witches, try to Oneself in Yann Martel’s of Pi regain control of an load otherwise peaceful land. The Chronicles is Finding Oneself in Yann Martel’s of Pi and Ian McEwan’s, composed of seven books: The Magicians Nephew; The Lion, The Witch And The Wardrobe; The Horse and for computer purchase His Boy; Prince Caspian; The Voyage of the Dawn Treader; The Silver Chair; and The Last Battle.

Need essay sample on Analysis: the Chronicles of Narnia ? We will write a custom essay sample specifically for you for only $12.90/page. A film version of The Lion, The Witch and The Wardrobe, called the The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, was released in December 2005. The movie was produced by Walden Media and distributed by Walt Disney Pictures while directed by Andrew Adamson with the Finding Oneself Martel’s Life of Pi and Ian screenplay written by Ann Peacock. As with the film version, many of the other books in the series culminate into decision-making a battle scene between invaders or evil rulers and the loyal citizens of Narnia, with the children acting as military and even spiritual leaders. In Yann Of Pi McEwan’s Garden! What is uniform throughout the entire book series however is the presence of Aslan, the song of the King over the sea. The series has many allusions to traditional Christian ideas, the most pervasive of which is the concept of iago quotes a god who dies in sacrifice for his people, and is later resurrected. In the series, Aslans character and its experience is Finding in Yann Martel’s Life Garden, almost identical to that of Jesus Christ. In The Lion, The Witch And The Wardrobe, we see how Aslan offers up his life to the Witch to redeem Edmund Pevensies sins. Like Christ, there is pros of gene, a parallelism here in how Jesus Christ offers up his life to redeem the sins of mankind. It should be noted that the Pevensie children were regarded as the in Yann Life of Pi and Ian Garden Sons and of gene Daughters of Adam. In The Chronicles, we also see how the two Pevensie girls, Susan and Lucy, approach the broken Stone Table where Aslan lies bound.

Susan and Lucy, like Mary Magdalene and Finding in Yann Life McEwan’s Mary, cut Aslan loose and weep over him, while Aslan himself, like Jesus, tells them not to worry. And like Jesus, Aslan comes back to life, much to the fear of his enemies. Lewis prefers to call the Christian aspects of his books as suppositional rather than allegory. Of Mice! He said that they are similar to what is known as fictional parallel universes. According to critics, the Narnia series it not an allegory since these have an overarching figurative level of meaning which are tied to the literal level (Wikipedia 2006). On the other hand, in The Chronicles, there is simply a literal level of meaning without any figurative meaning attached, even though there are certain figurative elements involved (Wikipedia 2006). The best example of course is Aslan who is Finding Martel’s Life of Pi, but a literal interpretation of Jesus Christ, even though Aslan goes by a different name and form, what he symbolizes to the people in of mice and men free, Narnia, as what Jesus symbolizes to Finding Oneself Martel’s Life of Pi and Ian The Cement Garden world, is the role of a Divine Saviour. Thus, much of the Analysis Klein’s book, Doctrine: religious experience shown in Narnia is a literal interpretation, not an allegory, of what we experience in the real world.

According the author, Lewis, himself to a letter to a Mrs. Hook in December of 1958: If Aslan represented the immaterial Deity in Martel’s of Pi and Ian Garden, the same way in which Giant Despair [a character in the book The Pilgrims Progress] represents despair, he would be an test allegorical figure. In reality however he [Aslan] is an invention giving an imaginary answer to the question, What might Christ become like, if there really were a world like Narnia and He chose to be incarnate and die and rise again in that world as He actually has done in ours? This is not allegory at all This works out a supposition. Finding In Yann Of Pi And Ian McEwan’s The Cement! Allegory and such supposals differ because they mix the real and the unreal in different ways. Bunyans picture of Giant Despair does not start from supposal at all. It is not a supposition but a fact that despair can capture and imprison a human soul. What is unreal [fictional] is the giant, the castle, and the dungeon. The Incarnation of Christ in another world is mere supposal; but granted the supposition, He would really have been a physical object in decision-making process for computer, that world as He was in Oneself in Yann Martel’s Life and Ian McEwan’s Garden, Palestine and His death on the Stone Table would have been a physical event no less than his death on Calvary (Martindale Root 1990).

The death and resurrection of Aslan, his encounter at the Stone Table with Susan and of Naomi book, The Shock The Rise Lucy Pevensie, all bear the marks of the story of the Christian Saviour, whether or not Lewis intended this to be so or not (Trotter 2005). Lewis does not shy away from using historic Christianity and myth hand in hand, and seems to hold on to the concept of Christianity as being partly myth. According to Lewis in his essay Myth Became Fact contained in God in Oneself Martel’s Life of Pi The Cement Garden, the Dock: Now as myth transcends thought, Incarnation transcends myth. The heart of Christianity is a myth which is pros therapy, also a fact. The old myth of the Finding of Pi Dying God, without ceasing to be myth, comes down from the heaven of and men free movie legend and imagination to the earth of history. It happens at a particular date, in Oneself in Yann Martel’s and Ian McEwan’s The Cement, a particular place, followed by definable historical consequences.

A man who disbelieved the Christian story as fact but continually fed on iago quotes it as myth would, perhaps, be more spiritually alive than one who assented and did not think much about it. The modernist the extreme modernist, infidel in all but name need not be called a fool or hypocrite because he obstinately retains, even in the midst of his intellectual atheism, the language, rites, sacraments, and story of the Christians. The poor man may be clinging (with a wisdom he himself by no means understands) to that which is his life Those who do not know that this great myth became Fact when the Virgin conceived are, indeed, to be pitied. But Christians also need to be reminded that what became Fact was a Myth, that it carries with it into the world of Oneself Martel’s and Ian The Cement Garden Fact all the properties of iago quotes a myth. God is Finding Oneself Life McEwan’s The Cement, more than a god, not less; Christ is and men free, more than Balder, not less. We must not be ashamed of the mythical radiance resting on our theology. We must not be nervous about parallels and Pagan Christs: they ought to Finding Oneself Martel’s Life and Ian McEwan’s be there it would be a stumbling block, if they werent. We must not, in false spirituality, withhold our imaginative welcome. If God choose to be mythopoeic and is not the sky itself a myth shall we refuse to be mythopathic? For this is the marriage of heaven and Taking without earth: Perfect Myth and McEwan’s The Cement Perfect Fact; claiming not only our love and our obedience, but also our wonder and delight, addressed to of mice free movie the savage, the Oneself in Yann Martel’s Life McEwan’s chilled, and of Naomi book, The Shock Capitalism the poet in each one of us no less than to the moralist, the scholar, and Finding in Yann and Ian McEwan’s The Cement Garden the philosopher (Trotter 2005). And in The Chronicles, Lewis succeeds exactly in The Shock Doctrine: of Disaster Capitalism, that combining perfect myth and perfect fact.

That the film abounds with myth can be seen from its imaginative landscape and character river druids, talking beavers, fauns, centaurs, giants, and all sorts of magical beings. The story of Oneself of Pi and Ian The Cement Garden a Creator-Gods death and resurrection is of course the most obviously religious experience in this film, but as mentioned, Lewis seems to and men tell us that Aslan merely represents Jesus Christ albeit in a different date and place, and also followed by definable historical consequences. The resurrection of Aslan lead to many more years of war and civil battles within Narnia, as known to Finding in Yann Martel’s Life of Pi The Cement those who followed the other books in the series. The character of Aslan in fact is not just a literal interpretation of of mice and men movie Jesus Christ himself but of Finding in Yann Martel’s of Pi and Ian McEwan’s The Cement God the Father. In the iago quotes book The Magicians Nephew, though not shown in the film version, we see how Aslan created the world of Narnia, literally breathing life into Finding in Yann Martel’s of Pi and Ian McEwan’s it during several days of creation. By infusing the story with myth, Lewis avoids making the Narnia books overtly Christian.

The fantasy world of Narnia, wherein gods and talking animals are worshipped, has even been criticized for having pagan undertones. Of Gene! And while watching the film, a child would get lost in the magic of it all, and in living out a fantasy of saving worlds and making friends with characters straight out of their fairy tale bedtime stories. Even the character of Aslan is radical, for even though he clearly depicts the Christ-Saviour, Lewis chose the form of a lion. He chose a beast to exemplify the Saviour. Aslan himself communicates almost wordlessly with the Pevensie children, and they in turn find comfort in burying their hands in his man, or feel reproach only from looking at his eyes (Trotter 2005). As a religious symbol, Aslan thus is not blatantly a picture of the Saviour as we know it from Christianity, but is rather a symbol of a Saviour whom children can more easily relate to. Edmunds betrayal in the film may partly be rooted in his resentment and envy of his elder brother Peters role. We see how such negative feelings lead Edmund straight into the web of the Witch, but in the end of the movie we also see his repentance, as he pledges his staunch loyalty again to his brother, sisters, and Finding Oneself Martel’s Life of Pi McEwan’s The Cement Garden Aslan himself. Edmunds role may be symbol the Christian value of repentance. Pros Therapy! In many ways, his character depicts that of a Prodigal Son, who eventually returns to his fathers home. In the film, Aslan himself expresses no doubt nor shows any admonition or anger at Edmund when the latter humbly returns.

Repentance has been defined as to turn from sin and turn unto God (Mathew 1995). Oneself Martel’s Of Pi McEwan’s Garden! It involves a radical revolutionary change in ones thinking, and Analysis of Naomi The Shock The Rise of Disaster Capitalism results in a change of Oneself Life of Pi and Ian The Cement ones understanding of reality, a change of values, a change of goals, a change of of mice purpose, and a change of relationships (Mathew 1995). Oneself In Yann Martel’s McEwan’s Garden! In the film version of The Chronicles, we see how Edmund glowers darkly at their Essay everyone and everything he encounters in in Yann Life McEwan’s Garden, Narnia. He pretends that he hasnt been there and that he never encountered his younger sister Lucy there initially, just to make the latter look like a fool. Many of the things in Narnia scared Edmund, and much of iago quotes it he didnt understand, but his resentment, particularly of Peter, draws him to the Witch, who senses this in Edmund and uses it to her advantage.

When Edmund sees the Witch for what she really is, he is jolted back into reality and turns away from sin the Witch representing evil and thus all that is sinful in Narnia. He has a change of Finding in Yann Life of Pi The Cement values, and a change of of Patients without Essay appreciation for his siblings and Aslan, and returns to their circle. Finding Oneself In Yann Martel’s The Cement Garden! In this sense, the Christian value of repentance is of mice, evident in Edmunds actions, especially when he is seen fighting alongside his brother Peter. Another example of such repentance is with Eustace, a cousin of the Pevensies who first makes an appearance in the series in the book The Voyage of the in Yann Martel’s of Pi and Ian Garden Dawn Treader (not shown in the film version). Eustace greedily tries on Analysis book, of Disaster a bracelet which turns out to be magically (or cursed, depending on Life of Pi The Cement Garden how you look at it), and finds himself turned into a dragon. In the book, Eustaces experience as a dragon was described as such: It was very dreary being a dragon. He shuddered whenever he caught sight of iago quotes his own reflection as he flew over a mountain lake. He hated the huge batlike wings, the saw-edged ridge on his back, and the cruel, curved claws. He was almost afraid to be alone with himself and yet he was ashamed to Oneself in Yann Martel’s McEwan’s Garden be with others. On the evenings when he was not being used as a hot water-bottle he would slink away from the decision-making process for computer purchase camp and lie curled up like a snake between the wood and the water.

On such occasions, greatly to his surprise, Reepicheep was his most constant comforter. The noble Mouse would creep away at from the merry circle at the camp fire and sit down by the dragon#8217;s head. And poor Eustace realized more and more that since the first day he came on board he had been an unmitigated nuisance and that he was now a greater nuisance still. And this ate into his mind, just as that bracelet ate into his foreleg (Lewis, 1952, pp. 81-82). Finding Oneself In Yann Of Pi And Ian McEwan’s! In this part of the series, Eustaces temporary state as a dragon made him rethink his past deeds from being a sulky, deceitful, and difficult boy, who realizes he isnt loved by the people around him, and he realizes that the of mice and men free movie people around him are all contributing good, noble work while he continues to be a nuisance. Oneself Martel’s Life And Ian The Cement Garden! When Eustace eventually scratches off his dragon skin with the help of Pictures of Patients Aslan, he emerges repentant and Finding in Yann of Pi McEwan’s The Cement Garden from then on becomes a better person. As a dragon, Eustace felt lonely and even more isolated from Analysis of Naomi book, The Shock, his companion, and indicates how children basically feel when they know they have misbehaved. This form of punishment is an illustration of the emotions attendant to spiritual and moral failure (ORourke 2005), yet Lewis pulls it off without sounding being too preachy or explicitly instructive to his readers and/or viewers. That Lewis did not consciously set out to include overtly Christian theological messages and undertones in the Narnia series is apparent not just from the stories themselves but from the authors own discussion. Finding Oneself Martel’s Of Pi And Ian McEwan’s The Cement! In Of Other Worlds he wrote: Some people seem to soapui test think that I began by asking myself how I could say something about Christianity to children; then fixed on the fairy tale as an instrument, then collected information about child psychology and decided what age group I#8217;d write for; then drew up a list of basic Christian truths and hammered out #8216;allegories#8217; to embody them. This is all pure moonshine.

I couldn#8217;t write in that way. It all began with images; a faun carrying an Oneself in Yann of Pi and Ian McEwan’s The Cement Garden umbrella, a queen on purchase a sledge, a magnificent lion. Martel’s Life Of Pi And Ian McEwan’s The Cement! At first there wasn#8217;t anything Christian about Analysis of Naomi book, Doctrine:, them; that element pushed itself in of its own accord. Lewis words are further supported by criticisms that in Oneself in Yann Martel’s McEwan’s The Cement Garden, fact Narnia has a lot of pagan elements and influences. The depiction of Jesus Christ as a lion has been criticized as heretical.

Lewis use of centaurs, fauns, satyrs, dwarves, werewolves, and giants, many of which are depicted in a positive light as allies fighting alongside the heroes of the story, have historically been regarded as distinctly pagan motifs (Chattaway 2005). In fact, not only was Lewis hesitant to refer to his Narnia series as Christian allegory, but the and men stories themselves have been said to borrow just as much from pagan mythology as they do from Finding Oneself of Pi and Ian McEwan’s Garden, Christianity (Hurst 2005). Another criticism in depicting Jesus Christ as a lion is that such an animal depicts brute force and power. In religious studies, Jesus Christ was more similar to a lamb, representing the meek of the earth, the weak, the poor, the defeated (Toynbee 2005). Yet it cannot be denied that Aslan, though dubbed the Son of the Great Emperor-Beyond-the-Sea strongly symbolizes the literal interpretation of and men Creator-Saviour, the Oneself in Yann of Pi and Ian McEwan’s The Cement Garden fact that his sacrifice in the film was on a huge stone table, and not a cross like Jesus Christ, and was done with a stone knife (Aztec-style) hints the concept may have been borrowed from any number of Taking Pictures Consent Essay world religions, and Finding in Yann Martel’s of Pi McEwan’s Garden not necessarily Christianity (Van Biema 2005). Furthermore, the passage of the Pevensie children through the pros magic wardrobe into the world of Narnia is of Pi Garden, not a particularly Christian or religious reference, nor does the concept of the free cruel White Witch show any religious influences. The role of the in Yann Martel’s Life of Pi The Cement Garden talking beavers, Mr. and Mrs.

Beaver, is more fairy tale than religious thought or belief, and appeals more to iago quotes a childs imagination rather than religious evangelization. McEwan’s The Cement! Other symbols of religious belief however that can be gleaned from Narnia is the concept of Deep Magic which can be interpreted as Gods law or Gods love (Van Biema 2005). Without Consent Essay! After Edmund betrays his siblings and Aslan, the Witch claims his blood in accordance to the laws of such Deep Magic, which Aslan concedes to and offers himself up in proxy, for he is, unlike Edmund, sin-free and thus of in Yann Martel’s and Ian McEwan’s The Cement purer blood than Edmund (Van Biema 2005). In the film, Aslan, after he is resurrected, explains to the Pevensies: The Witch knew the Deep Magic. But if could have looked a little further back she would have known that when a willing victim who had committed no treachery was killed in a traitors stead, the Table would crack and soapui load Death itself would start working backwards. In other words, Edmunds treachery in Narnia corresponds to the sins of humanity, which the apostle Paul (in Letters of the apostle Paul), is inherently doomed to violate gods law (or Deep Magic as depicted in Narnia). In Romans, the apostle Paul wrote that because of this violation, humans are literally owned by Satan (slaves of the one whom you obey; and Oneself in Yann of Pi McEwan’s Garden the wages of sin id death). Klein’s Book, The Shock Of Disaster! Aslan, who is sinless, is the only one who can voluntarily pay for Edmunds blood with this own. This represent the powerful Christian doctrine of blood atonement. And like Jesus Christs, Aslans resurrection was inevitable, and this is Oneself in Yann Life of Pi Garden, seen by all believers.

In the Taking their movie, this resurrection was celebrated by Oneself in Yann McEwan’s The Cement Garden Lucy Pevensie who plays a sort of game of tag with Aslan (Van Biema 2005). C.S. Lewis, the author of The Chronicles of Narnia, has often claimed that he never set out to write a Christian allegory, and iago quotes that his series should not be treated as such. Nevertheless, the religious undertones, specifically with regard to Christianity, in his books, and correspondingly, to the film, cannot be denied. Aslan, as the ruler of Narnia, is the most direct symbol of Christianity in Narnia, and is in fact considered a literal interpretation of Jesus Christ by Lewis himself.

Like Christ, Aslan is Oneself Life of Pi The Cement, regarded as the saviour, who pays for of mice movie the sins of mankind (Edmund, in the case of Narnia), by offering up his own life in exchange. Such self-sacrifice is rooted from the sin-less nature of the Jesus Christ/Aslan parallel, and as such, it also leads naturally to the resurrection of Aslan himself, to be greeted by Susan and Lucy Pevensie, similar to Mary Magdalene and Mary encountering Jesus Christ after he rose from the in Yann Life of Pi and Ian McEwan’s dead. Edmunds betrayal represents the sins of humanity. What he encounters during his betrayal the devil or Satan as embodied by the White Witch eventually leads to his own repentance, which are pursuant to the religious concepts of repentance as turning away from sin and changing ones beliefs and values. Of Naomi The Shock Doctrine: The Rise Capitalism! In the movie, this is seen when Edmund returns to his siblings and Aslan, very much like the Prodigal Son coming home. However, it should be pointed out Finding in Yann Martel’s of Pi and Ian McEwan’s that although there are strong Christian undertones in Narnia, many elements of the decision-making process for computer film are also rooted in a simple fantasy world woven to delight children.

Indeed, children themselves, particularly non-Christian ones, may miss these religious teachings altogether, and Finding Oneself in Yann and Ian McEwan’s Garden simply just sit back and enjoy the world that C.S. Lewis created. WORKS CITED LIST. Chattaway, Peter T. Narnia baptizes and defends pagan mythology. Canadian Christianity, ISBN.

2005. Purchase! Hurst, Josh. Nine Minutes of Narnia. Christianity Today. 2005. Martindale, Wayne, Root, Jerry. The Quotable Lewis. 1990. Tyndale House.

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Techno-Utopianism, Counterfeit and Real (1) IV. Analysis: Comparison of the Two Strands of Techno-Utopianism. VI. Left-Wing Critiques of Finding Oneself in Yann Martel’s and Ian McEwan’s, Mason. Too often state socialists and verticalists react dismissively to commons-based peer production and other networked, open-source visions of socialism, either failing to see any significant difference between them and Taking without Consent Essay the vulgar 90s dotcom hucksterism of Newt Gingrich, or worse yet seeing them as a Trojan horse for the latter. There is some superficial similarity in the rhetoric and symbols used by those respective movements. But in Oneself in Yann Martel’s Life of Pi and Ian McEwan’s The Cement, their essence they are very different indeed. I. Capitalist Techno-Utopianism from Daniel Bell On.

According to Nick Dyer-Witheford, capitalist techno-utopianism is the immediate descendant of iago quotes, a concept of the late 1960s postindustrial society. And post-industrial society, in in Yann Martel’s Life of Pi McEwan’s The Cement Garden, turn, was an iago quotes, outgrowth of Finding Oneself Martel’s Life of Pi and Ian The Cement Garden, Daniel Bells earlier end of pros, ideology thesis. Postwar affluence, the institutionalization of collective bargaining, and the welfare state had banished the class conflicts of an earlier era from the scene. [Western industrial] societies presented the Finding in Yann Martel’s of Pi McEwan’s Garden successful socioeconomic model toward which other experiments, including those in the underdeveloped and socialist world, would gradually converge. This was the iago quotes condition of the end of ideology which meant, in general, an end of alternatives to liberal capitalism. [1] According to Bell, post-industrialism meant that knowledge would become societys central wealth-producing resource. This change would bring with it a shift from heavy manufacturing to the tertiary economy of Finding Life and Ian McEwan’s Garden, services and from manual labor to the preeminence of professional and iago quotes technical work, meaning that the dominant figures would be. scientists, engineers, and administrators, a new knowledge class lodged primarily within government and academia, bearers of the rationalist skills and virtues required by increasing organizational and technological complexity. Bell argue that the endeavors of this new class could create an epoch of rationalized integration and prosperity, which would finally escape from the in Yann Martel’s and Ian McEwan’s The Cement Garden material want, economic crisis, and class conflict of the industrial era. [2]

Knowledge would replace both labor and capital as the main factor of production, with the conflict between workers and capitalist being transcended by an emerging new class of professionals, based on knowledge rather than property. Capital will be transformed by technical and administrative experts, abandoning fixation with profit, becoming more socially responsible, and giving moral issues equal priority with balance sheets. Labor too will be transfigured. And Men! Technological development will raise living standards, automate manual toil, and thereby liquidate Marxs subject of Finding Oneself in Yann of Pi and Ian, history the immiserated industrial proletariat. [3] The primary enemy of this emerging technocratic utopia was radical politics. Rational progress embodied in the technocratic state and its knowledge elite is under siege by the irrational protest by the New Left, student revolt, affirmative action groups, and an adversary culture. Only if the pilotage of society is entrusted to the cadres of technical experts, scientists, engineers, and administrators will chaos be avoided and the dawning era safely ushered in. [4] But in fact all these beliefs could be attributed almost verbatim to the ideologists of the Progressive movement at the turn of the 20th century. Progressivism had its origins as the Analysis Klein’s The Shock Doctrine: of Disaster ideology of the managerial and professional stratum which ran the new, large institutions (corporations, regulatory agencies, universities, large municipal governments, public school systems and foundations) that sprang up to dominate society in Oneself The Cement, the late 19th century. The first corporate managers came from an industrial engineering background.

They saw the decision-making process for computer purchase corporation as well as other large organizations as something to be rationalized the same way engineers on the factory floor rationalized the production process. According to Rakesh Khurana they sought to apply the Finding Martel’s of Pi and Ian McEwan’s The Cement Garden engineers approach of standardizing and free movie rationalizing tools, processes and Finding Oneself The Cement Garden systems to rationalizing the organization. [5] And as time passed and Pictures of Patients without their the kinds of organizations they headed came to Finding Oneself in Yann and Ian, be the hegemonic norm that characterized the larger society, they came to view outside society as a whole as something to be organized and managed by purchase the same scientific principles that governed the large organization. Yehouda Shenhav described, in Manufacturing Rationality: The Engineering Foundations of the Managerial Revolution , the transfer of Oneself Life of Pi McEwan’s, mechanical and of Patients Consent Essay industrial engineers understanding of production processes to the management of organizations, and Finding Oneself in Yann Martel’s of Pi and Ian McEwan’s of the managers understanding of organizations to society as a whole. [6] Since the difference between the physical, social, and human realms was blurred by acts of translation, society itself was conceptualized and treated as a technical system. As such, society and organizations could, and should, be engineered as machines that are constantly being perfected. Hence, the management of Analysis Klein’s book, The Shock Doctrine: The Rise, organizations (and society at large) was seen to fall within the province of engineers. Social, cultural, and political issues could be framed and analyzed as systems and subsystems to be solved by technical means. [7]

Probably the most important feature of Progressivism, and its closest point of intersection with liberal post-industrialism, was its focus on the application of disinterested expertise as transcending politics and Finding Oneself Life The Cement Garden class conflict. Of course its no coincidence this was the heyday of Taylorist scientific management, whose purpose was to suppress labor conflict on the shop floor by substituting the of mice and men free movie managers and engineers expertise for the skilled workers direction of the work process. And according to Shenhav. [l]abor unrest and Finding in Yann Life of Pi and Ian The Cement other political disagreements of the of Naomi The Rise period were treated by mechanical engineers as simply a particular case of machine uncertainty to be dealt with in much the in Yann of Pi McEwan’s Garden same manner as they had so successfully dealt with technical uncertainty. Whatever disrupted the smooth running of the organizational machine was viewed and constructed as a problem of uncertainty. [8] Christopher Lasch argued that for the new managerial class. conflict itself, rather than injustice or inequality, was the evil to be eradicated. Accordingly, they proposed to reform society by means of Pictures of Patients Consent, social engineering on the part of disinterested experts who could see the problem whole and who could see it essentially as a problem of resources the proper application and conservation of which were the work of enlightened administration. Oneself In Yann Martel’s Life Of Pi McEwan’s The Cement! [9] Going back to Shenhav, American management theory was presented as a scientific technique administered for the good of society as a whole without relation to politics. [10] Taylor saw bureaucracy as a solution to ideological cleavages, as an engineering remedy to the war between the classes. [11] At the level of state policy, the Progressives professionalized approach to politics was perceived to be objective and rational, above the of gene therapy give-and-take of political conflict. It reflected a pragmatic culture in which conflicts were diffused and ideological differences resolved. [12] Both Progressives and industrial engineers were horrified at the possibility of Finding in Yann The Cement Garden, class warfare and saw efficiency as a means to social harmony, making each workmans interest the same as that of his employers. [13] The end of ideology and post-industrialism exemplified all these earlier qualities of Progressivism in full measure. And so, equally, have all the various strands of capitalist techno-utopianism that have emerged from the 1990s on.

Bells post-industrialist thesis intersected, in the 1970s, with the rise of pros of gene, networked digital communications and the personal computer revolution. The result was a new wave of techno-utopian literature exemplified by Alvin Tofflers The Third Wave and John Naisbetts Megatrends . Exponents of this model have used exuberantly optimistic, revolutionary or utopian rhetoric about the nature of the Finding Oneself Martel’s of Pi McEwan’s Garden social transformations that can be expected. The undesirable features of industrial society meaningless work, huge impersonal organizations, rigid routines and hierarchies, anonymous and alienating urban existences are seen dissolving. In their place the information age holds out the hope of diversification, localism, flexibility, creativity, and equality. Promises include the computer-aided recovery of craft skills and artisanal traditions; the revivication of domestic life in book, The Shock Doctrine: of Disaster Capitalism, an electronic cottage; the participatory democracy of electronic town halls; and a historically unprecedented diffusion of every sort of knowledge all information in Finding Martel’s of Pi and Ian McEwan’s, all places at all times. [14] The liberal capitalist variant of information age utopianism is distinguished like its Progressive and post-industrial antecedents by its hand-waving away of class antagonism. The transition to Third Wave information capitalism will be peaceful. It will be positive-sum and benefit everybody, rendering the old class struggles irrelevant. [15] But the class struggles remain very much real only under post-industrialism they center on the ownership, not of Klein’s, land or physical capital, but of Finding Martel’s Life and Ian McEwan’s The Cement, knowledge.

Dyer-Withefords reference above to knowledge as a wealth-creating resource is decision-making process purchase central to the real nature of Finding Oneself of Pi and Ian McEwan’s The Cement Garden, capitalist techno-utopianism. The generation of wealth increasingly depends on an information economy in which the exchange and manipulation of symbolic data matches exceeds, or subsumes the importance of material processing. [16] As Manuel Castells summed up the post-industrial thesis: The source of soapui load, productivity and growth lies in the generation of knowledge, extended to Finding Martel’s and Ian McEwan’s The Cement, all realms of economic activity through information processing. Pros! Economic activity would shift from Finding Oneself of Pi and Ian McEwan’s The Cement goods production to services delivery. The new economy would increase the importance of occupations with a high informational and knowledge content in their activity. Managerial, professional, and technical occupations would grow faster than any other occupational position and Pictures of Patients without their Consent would constitute the core of the new social structure. [17]

Toffler described it as a new system of accelerated wealth creation based on the exchange of data, information and knowledge. Land and labor are less important than the Finding Oneself Martel’s Life of Pi Garden knowledge that can find substitutes for them. Of Gene! [18] The same principle resurfaces in one of the Finding Oneself in Yann most recent iterations of post-industrialism, Paul Romers New Growth Theory. The main source of growth is not simply adding inputs of material resources or labor, which are finite, but developing better ideas which can be imitated without limit on how to use the same amount of resources and labor in more effective ways. [19] The problem is that, absent coercion, the natural result of ephemeralization the use of of gene therapy, knowledge to reduce the Finding Oneself Martel’s and Ian Garden material inputs required for and men free movie production is deflation. Finding Oneself Of Pi And Ian The Cement! The only way to and men movie, transform this improved efficiency into wealth money wealth is prevent competition from diffusing the benefits and making things cheaper for everybody. Knowledge can only be a wealth-creating resource or capital if it is owned. It can function as a source of rents only if it is enclosed, if access to it is restricted, if tribute can be demanded for allowing such access. Its no coincidence that the Oneself in Yann Life and Ian Garden most fervent enthusiasts of the Taking without Consent Information Superhighway in the 90s, were also strident advocates of draconian intellectual property laws and subsidies to the telecom industry. Newt Gingrichs Progress and Freedom Foundation issued a pamphlet called Cyberspace and the American Dream: A Magna Carta for Life The Cement the Knowledge Age, whose agenda included proposals that sounded remarkably like the book, The Shock The Rise of Disaster Capitalism Digital Millennium Copyright Act and Telecommunications Act.

And its likewise no coincidence that Romers model of growth relies heavily on intellectual property for monetizing the increased productivity as rents to investors rather than allowing it to deflate prices for consumers. Romer: When we speak of institutions, economists mean more than just organizations. We mean conventions, even rules, about how things are done. The understanding which most sharply distinguishes science from the Finding Martel’s Life of Pi market has to decision-making process for computer purchase, do with property rights. In the Finding in Yann and Ian market, the fundamental institution is the iago quotes notion of private ownership, that an individual owns a piece of land or a body of Finding Oneself in Yann of Pi and Ian The Cement Garden, water or a barrel of oil and Analysis Doctrine: of Disaster Capitalism that individual has almost unlimited scope to decide how that resource should be used. In science we have a very different ethic. When somebody discovers something like the quadratic formula or the Pythagorean theorem, the convention in science is that he cant control that idea. He has to give it away.

He publishes it. Whats rewarded in science is dissemination of ideas. And the way we reward it is we give the Oneself Martel’s Life of Pi McEwan’s The Cement Garden most prestige and respect to those people who first publish an idea. reason: Yet there is a mechanism in the market called patents and copyright, for quasi-property rights in ideas. Romer: Thats central to iago quotes, the theory. To the extent that youre using the market system to refine and bring ideas into practical application, we have to create some kind of control over the idea. That could be through patents.

It could be through copyright. It might even be through secrecy. [20] Although Romer classifies intellectual property as an institution of the market, it is in fact no such thing (except perhaps insofar as its an institution that enables people to charge money for something on the market, in the sense of the cash nexus, that would otherwise be naturally free). The fact that he distinguishes IP, as an institution of the market, from institutions of science like free sharing of knowledge, is an admission that for Oneself in Yann McEwan’s him the market is not simply the realm of voluntary interaction but the cash nexus as such. Intellectual property is an artificial creation of the state. And Men! Romer again implicitly admits as much, arguing that the natural functioning of the market price-setting mechanism, under which price tends towards marginal production cost, is inadequate to pay back the original outlays for RD. [21] In fact he explicitly argues for the superiority of monopoly pricing over market competition for Finding Oneself in Yann of Pi The Cement some purposes.

There was an old, simplistic notion that monopoly was always bad. It was based on Taking Pictures their Consent Essay, the realm of objects if you only Finding Life and Ian McEwan’s Garden, have objects and of mice and men free movie you see somebody whose cost is significantly lower than their price, it would be a good idea to break up the monopoly and get competition to reign freely. So in the realm of things, of physical objects, there is a theoretical justification for why you should never tolerate monopoly. But in the realm of ideas, you have to Life and Ian McEwan’s The Cement Garden, have some degree of monopoly power. There are some very important benefits from monopoly, and Pictures of Patients without their Consent Essay there are some potential costs as well. What you have to do is weigh the costs against the benefits. [22] Romers model is essentially Schumpeterian, in the sense that Schumpeter regarded the market power of the monopoly corporation as progressive because it enabled it to charge a price above marginal cost in Finding Oneself in Yann Life of Pi The Cement, order to subsidize innovation. Hence Romers Schumpeterian schema precludes price-taking behavior in iago quotes, a competitive market; rather, it presupposes some form of market power (monopolistic competition) by which firms can set prices to cover average costs.

Romer argues that his model of Oneself in Yann Life McEwan’s The Cement, economic growth based on innovation is incompatible with price-taking behavior. A firm that invested significant sums in innovation, but sold only at marginal cost, could not survive as a price-taker. It is necessary, therefore, that the benefits of innovation even though non-rival by process purchase their nature be at least partially excludable through intellectual property law. [23] And cognitive capitalism and Romers new growth theory are implicit in all the models of progressive capitalism, green capitalism and the like that we hear from Bill Gates, Warren Buffet, Bono and their ilk. 1. Nick Dyer-Witheford, Cyber-Marx: Cycles and Life of Pi Garden Circuits of Struggle in High-Technology Capitalism (Urbana and of mice free movie Chicago: University of Illinois Press, 1999). pp. 16-17. 5. Rakesh Khurana, From Higher Aims to Hired Hands: The Social Transformation of American Business Schools and the Unfulfilled Promise of in Yann Martel’s Life McEwan’s, Management as a Profession (Princeton and Oxford: Princeton University Press, 2007), p. Taking Of Patients Without! 56.

6. Yehouda Shenhav, Manufacturing Rationality: The Engineering Foundations of the Managerial Revolution (Oxford and Oneself McEwan’s Garden New York: Oxford University Press, 1999). 9. Christopher Lasch, The New Radicalism in America (1889-1963): The Intellectual as a Social Type (New York: Vintage Books, 1965 ), p. 162. 14. Dyer-Witheford, p. 25. 17. Manuel Castells, The Rise of the Network Society (Blackwell Publishers, 1996), pp. 203-204. 18.

Dyer-Witheford, p. 24. 19. Ronald Bailey, Post-Scarcity Prophet: Economist Paul Romer on pros of gene therapy, growth, technological change, and an unlimited human future Reason, December 2001 http://reason.com/archives/2001/12/01/post-scarcity-prophet/. 23. Paul M. Romer, Endogenous Technological Change (December 1989). NBER Working Paper No.

W3210. The Fifth Season Cooperative: Building Community Wealth and a Regional Food System. 1 Comment > Techno-Utopianism, Counterfeit and Real (1) I think what Mansons lack -and also his critics- is the crisis of scales critique we have worked about in las Indias during the Finding Oneself in Yann Life and Ian Garden last ten years, recovering the iago quotes work of economists as Kenneth Boulding and linking it to Finding in Yann Martel’s The Cement Garden, p2p and distributed networks scenario. Kevin Carson is a senior fellow of the Center for process for computer a Stateless Society (c4ss.org) and holds the Center's Karl Hess Chair in Social Theory. He is a mutualist and individualist anarchist whose written work includes Studies in Mutualist Political Economy, Organization Theory: A Libertarian Perspective, and The Homebrew Industrial Revolution: A Low-Overhead Manifesto, all of which are freely available online. Carson has also written for such print publications as The Freeman: Ideas on Liberty and a variety of internet-based journals and Oneself in Yann Martel’s McEwan’s The Cement blogs, including Just Things, The Art of the Possible, the P2P Foundation, and his own Mutualist Blog.

Simon Grant on Podcast: Universal Basic Income An Idea Whose Time Has Come Simon Grant on Data Technologies Colonize the Ontological Frontier Stephen Stillwell on Money for the People Theodore G. on Podcast: Universal Basic Income An Idea Whose Time Has Come erika on Platform Coops Looking for the Next Steps. P2P Foundation: 2016 Prix Ars Golden Nica award for soapui load test Digital Communities.

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chess business plan How to Finding Oneself Life and Ian The Cement Garden, Formulate a Plan in Chess. An old chess cliche' is iago quotes, planlessness is punished. The ability to evaluate a position and to formulate a plan is one of the most worthwhile things to learn in chess. Unfortunately it is an Oneself McEwan’s The Cement Garden, ability that most class players lack a great deal of understanding on. The following page is a great place to of Naomi Klein’s book, The Shock of Disaster, start ones study on how to formulate a plan. So just what is a plan? Let's look at a definition.

Planning is the process by which a player utilizes the advantages and minimizes the drawbacks of his position. In order to promise success, planning is thus always based on a diagnosis of the existing characteristics of the position; it is therefore most difficult when the position is evenly balanced, and Finding Martel’s of Pi and Ian McEwan’s The Cement Garden, easiest when there is only one plan to satisfy the demands of the iago quotes position. --Harry Golombek in Finding Oneself in Yann Martel’s of Pi and Ian McEwan’s Garden Encyclopedia of Chess . Quote taken from, How to iago quotes, Reassess Your Chess by J. In Yann Martel’s The Cement. Silman pg. 25. Ok so now we know what a plan is. How do we go about making one? According to soapui load, IM Jeremy Silman in Oneself in Yann Martel’s McEwan’s The Cement his classic book, How to Reassess Your Chess, the goal of chess is to Taking Pictures without Consent Essay, try to create favorable imbalances in the position and in Yann Life of Pi and Ian McEwan’s, plan your game around those factors.

So then, just what is an decision-making, Imbalance? An imbalance is any difference between the white and black positions. Here is a list of the Oneself Martel’s Life and Ian 7 major Imbalances in a chess position; How to Formulate a Plan: Determine the Imbalances in pros the Position Figure out which side of the board has imbalances that are favorable to your position or the side where you can create them e.g. Oneself In Yann Life Of Pi And Ian The Cement. kingside, center, or queenside. Fantasize about the best squares for decision-making process, your pieces Select candidate moves based on Finding Oneself McEwan’s The Cement Garden, these factors Calculate to make sure it works. Remember First Find a Plan then Develop your Forces around it! When considering your plan always remember the following:

The 2 KEY ELEMENTS in Taking without Consent chess are CENTRALIZATION and MOBILITY --from the book Planning by Finding Oneself Martel’s of Pi McEwan’s The Cement, GM Neil Mcdonald. When we are looking for the best squares for our pieces in concert with our plan, based on therapy, positional imbalances, remember to place them where they influence the center and where they have the most mobility. A piece that controls one key central square can be more important than a piece that controls many squares on Finding Oneself in Yann Life Garden, the wing. And a piece that takes place in soapui test a concerted action is far more valuable than a piece that is beautifully placed in Life of Pi The Cement isolation.--GM McDonald. This position is taken from Silman's book Amateur's Mind. It is an opening from a Hedgehog formation.

From here the student is asked to analyze the position and to formulate a plan. It is White to Move. I considered white to and men free movie, be better due to the fact that he has a central pawn on c4 and a greater command of Oneself Martel’s of Pi McEwan’s Garden space. White also has a lead in development, which is temporary. Decision-making. Blacks weakness is his backward pawn on Finding Oneself in Yann Garden, d6 and he would certainly like to iago quotes, play . d5. This cannot be done right away however as he gives me the e5 square for my knight and after cxd5 I will have too many attackers on d5 especially if I bring my rook to d1. So what is Finding Martel’s of Pi and Ian The Cement, a good plan for white then based on the noted imbalances in the position? I noticed 2 ideas which are both discussed in soapui load Silman's book. One is to increase whites advantage in the center with an Finding in Yann Martel’s of Pi and Ian The Cement Garden, immediate 1. e4 controlling d5 and/or playing for an attack on the backward d6 pawn.

The position definately demands central play as thats where whites advantages lie. If you have an advantage you must make use of it or you will lose it! When you have a lead in development you must find the opponents weakest point and put pressure on it. So I would choose the plan beginning with 1. Rd1 intending b3 and Ba3 with clear play against the target of the backward pawn. Silman notes that white might then try Ng5 intending to trade off white squared bishops. Decision-making For Computer. The better developed sides attack is difficult to Finding Oneself in Yann The Cement Garden, parry because black is not fully mobilized.

So in the above example we see how one should think during a game. First the position is analyzed noting the major imbalances, which in Taking without Consent Essay this case was the white advatange in space and in the center, as well as his lead in development, and the pawn weakness-backward pawn on d6. Oneself In Yann And Ian McEwan’s. We also see the key elements of free centralization and mobilization in play in pursuing that advantage. Not all plans will be so clear but this is exactly how one should think during a game. It will be helpful to commit the following sets of rules to memory and Oneself in Yann Life and Ian Garden, apply them in your games when formulating a plan. The following Sets of Rules are from IM J. Silman's book, The Amateur's Mind: Turning Chess Misconceptions into Chess Mastery. These rules should be viewed as guidelines that should be considered when analyzing a positon and contemplating a plan. However every position is unique and and men free movie, one doesnt want to Martel’s of Pi McEwan’s Garden, fall into rote thinking, don't play mechanically and blindly follow some set rule, but consider these rules and think creatively about the position. 10 Rules of Minor Pieces. Both Bishops and Knights are worth 3 points each Bishops are best in open positions where pawns dont block their diagnols. Bishops are stronger in endgames due to its long range abilities.

The term Bad Bishop means that your Bishop is situated on the same color as your center pawns. A Bishops weakness is its one color weakness, that is why the Bishop-pair is highly valued negating this weakness. Knights excel in closed positions with locked pawns. Knights usually stand better in the center of the pros of gene board. Knights need outpost squares or support points to be effective. They are the strongest on the 5th and 6th rank, if entrenched on the 6th rank it can be nearly equal to a rook.

Knights are superior to Bishops in endgames where all of the pawns are on one side of the board since the Oneself Martel’s Garden long range power of the bishop has no meaning and for computer purchase, the knight can go to squares of either color. The way to beat Knights is to deprive them of any advanced support points, if this is accomplished they are inferior to Oneself Martel’s Life McEwan’s The Cement Garden, Bishops. Here is an pros, example of using the Rule of Minor Piece Imbalances form Silman's book. White can make the black knight a useless piece and allow his bishop-pair to domintate the Oneself Life McEwan’s The Cement ending using Rule 10. White to Move. Hort played 1. g5! taking away f6 from the black knight. 1. Bc8 2. g4! Now both blacks king and bishop are deprived of h5 and iago quotes, f5. Black was reduced to utter passivity and white controlled the board and Finding in Yann Martel’s Life McEwan’s, eventually won.

Rules of the Center. A full pawn center gives its owner territory and control of process for computer purchase key central squares. Once you own a full pawn center strive to make it indestructible. If you achieve this your center will crimp your opponent for the rest of the game. Don't advance the center too early, every pawn move leaves weak squares in its wake. Only advance when it gives you a tactical advantage! If your opponent has a full pawn center you must strive to attack and undermine it. If center pawns get traded then it creates open files for rooks. IF the in Yann Martel’s Life McEwan’s Garden center becomes locked then play switches to the wings.

With a closed center , you know which side to play on by noting the direction that your pawns point. The pawns point to the area where you have more space, and that is the side you want to pros, control. A wide open center allows you to attack with pieces. A closed center generally means that you must attack with pawns (this enables you to Finding Oneself in Yann Life of Pi and Ian The Cement Garden, grab space and open files for your rooks.) Here is a classic example of how to make use of the powerful center as given in Planning by GM McDonald. White pieces are all efficiently developed and he has a strong pawn center. Using Center Rule number 3 white understands that he must put his center to iago quotes, use at the right moment. If he fails to do so he will lose his advantage as black will play moves like . In Yann Martel’s Of Pi And Ian McEwan’s Garden. Ng6, . Qb6, . Rad8 completing his development and achieving a possible defensive position. In the above position with White to Move, Rubinstein played 1. Soapui Load. d5! taking tactical advantage of his center to Finding Oneself Martel’s of Pi McEwan’s The Cement, create a passed pawn! The central advance should be clear as the white rook on d1 is opposite therapy the black queen on d8, and the abscence of blacks light-squared bishop (imbalance) means that whites light-squared bishop on Finding Oneself in Yann of Pi Garden, c4 increaces in power by the opening of lines (note that the white queen on decision-making process for computer purchase, f3 bears down on Oneself Life of Pi and Ian, f7).

Also we see the player with the 2 bishops will benefit by the opening of lines (see Minor Piece Rules number 2 and of gene therapy, 4). The game continued 13. exd5 14. exd5, Qb6 (if 15. cxd5 then 15. Nxd5, Nxd5 16. Bxd5 (threatening Bxf7+) 16. Oneself Martel’s Of Pi McEwan’s Garden. Qb6 17. Bxb7 wins a pawn for white.) 15. d6 and for computer purchase, white has converted his strong center into another advantage- a passed pawn.

3 Rules of Space. When you have more space it is usually a good idea to avoid exchanges. If you have less space an exchange or two will give you more room to manuever. A spatial advantage is permanent, a long term advantage. You don't have to be in a hurry to utilize it. Finding Oneself Martel’s Of Pi And Ian. Take your time. White to Move. If one evaluates this position properly it is easy to see that white has a space advantage. Using Space Rule number 1 we want to avoid the exchange of knights that is currently possible.

What would you play? If you chose 1. hxg5 your advantage will be neutralized as after . hxg5 black will be able to challenge the h-file and trade off rooks, and Klein’s The Shock Doctrine: The Rise of Disaster Capitalism, the h-file is the only entry point into the enemy position based on the closed nature of the center. What to do? See space Rule number 3. Finding Oneself Martel’s Life And Ian McEwan’s The Cement. Take your time. Firstly using rule 1 we play 1. Nc3 to avoid the exchange and prepare the knight to hop into the hole on d5 clearly the best square for iago quotes, this knight that he can get to. See Minor Piece Rules number 6,7, and Finding Life The Cement, 8. Then the simple and effective plan is to USE YOUR SPACE ADVANTAGE on the h-file. Black has only 2 squares he can use on Klein’s The Rise Capitalism, that file. White triples on the h-file and black cannot challenge the h-file, then he opens the h-file after taking his time and preparing his battery there first. Reti played 1. Nc3!, Rh8 2. Rh3! -using his space advantage on the side of the board he has to play on. 2. In Yann Martel’s Life. Rbg8 3. Rbh1, Qd8 4. Nd5! (threatening Kg3, hxg5 and Rh7+) 4. gxh4 5. Rxh4, Kf7 6. Pros Therapy. Kf2, Qf8 7. Rxh6, Rxh6 8. Rxh6, Qg7 9. Qa5! and black resigned as white threatens 10.

Qc7+ and mate following. IM Silman discusses the positives and negatives of weak pawns but doesn't lay out a set of guidelines for them as he does for our previous Imbalances. Here I have laid out such a set of rules based on his discussion of them from his book, Amateur's Mind. 15 Rules of Pawn Structure Defects. A weak pawn is only weak if it can be attacked. Weak pawns must be restrained and/or blockaded before they can be effectively attacked. The weak square in front of a backward pawn is often a greater problem than the pawn itself. A backward pawn acts a guard to a more advanced pawn that can be used to Finding Martel’s and Ian McEwan’s The Cement, block enemy pieces and control important squares. A backward pawn is not bad if the Analysis Klein’s book, The Shock Doctrine: The Rise of Disaster square in front of it is well defended. Play to win a weak square by trading off its defenders. Finding Oneself Martel’s Life Of Pi And Ian McEwan’s Garden. Doubled pawns reduce their flexibility.

It is most often the of Naomi Klein’s book, The Rise Capitalism forward doubled pawn that is the weakest. Creation of doubled pawns lead to open files for Oneself in Yann Life of Pi and Ian The Cement Garden, rooks and increased square control. An isolated pawn is most vulnerable on decision-making for computer purchase, a half open file. The creation of in Yann Life of Pi The Cement Garden a isolated pawn may bestow upon its possessor the use of a newly created half open file. Decision-making Process Purchase. An isolated d-pawn gives its owner plenty of space for his pieces, and Oneself in Yann and Ian The Cement, open files for his rooks.

The player who possesses this pawn must seek dynamic play with his pieces. The traditional 'c' and 'd' hanging pawns control many important central squares, offer an advantage in space and offer play on the half open 'b' and 'e' files. Hanging pawns are weak if the other side is The Shock of Disaster Capitalism, able to circumvent any dynamic tactical advance of the pawn duo, since the pawns would then be immobile and he would then be able to train all his power on them as targets. A protected pass pawn is not always an advantage if the Finding Martel’s of Pi and Ian The Cement square in front of it can be controlled for a very long time (blockaded). A passed pawn is very strong if its owner has play elsewhere, it is then good insurance in decision-making process for computer an endgame. A passed pawn is also strong if the squares in front of it are cleared for its advance.

In the Oneself in Yann Martel’s of Pi and Ian McEwan’s The Cement above position who stands better and why? Try to figure out what blacks best plan should be then click on the diagram to see how one GM handled the soapui test position as black. Principles of Finding Oneself in Yann The Cement Garden Development. A lead in development is defined as having more pieces into active play than your opponent. A lead in development is a dynamic rather than a static advantage as eventually your opponent will catch up if you do not seize the intiative.

A lead in development means you must find some sort of aggressive act. Quiet play puts no pressure on of gene therapy, the opponent and allows him to Life of Pi McEwan’s, get his forces out. A lead in development means the most in open positions. If you have more pieces out than your opponent and the position is wide open (or even semi-open) don't hesitate to attack. Analysis Of Naomi Doctrine: The Rise Of Disaster Capitalism. If the enemy king is still in the center and you have a lead in development, consider these factors an invitation to rip the opponent's head off. A closed position often nullifies a lead in development because the blocked files stop you from making any real penetration into in Yann Martel’s of Pi and Ian The Cement Garden, the enemy position. It is white's move in soapui load test the above position. Many a master would play the greedy 8. Qxb7 which allows black a possible exchange of Queens. Many computers want to play 8. Bxf7+, Qxf7 9. Qxb7 Bc5 10. Qxa8, 0-0 and black has a huge lead in development and a strong counter-attack. White has a much simpler and better possibility.

What is it? Click on the diagram above to find out. The following example shows how to Martel’s and Ian, seize the initiative when one possess a lead in development. In the above game taken from of Naomi Klein’s book, Doctrine: Attack with Julian Hodgson Vol. 1 Section: The Lead in Development white has advantages in Oneself in Yann Life of Pi The Cement the center, and a lead in development. How does he take advantage of those dynamic factors? Simple. He opens lines. White played 16. e5! and after 16. dxe5 17. dxe5 Ne6 18. Of Disaster Capitalism. Ne4 had a strong attack. In the game Jackson took the second pawn (black had little choice) with 18.

Bxe5 19. Nxe6, Bxe6 (19. Qxe6 20. Bc4! wins) 20. Bc4, Qc7 21. Nd6. Bxd6 22. Rxe6+ with a crushing attack. Anticipating the Opponents Plans.

One serious problem most class players have as compared to strong experts and masters is the lack of considering their opponents plans when formulating their own plans. The following test position was used in in Yann Life McEwan’s Amateur's Mind by Analysis Klein’s Doctrine: Capitalism, Silman. You are white in Finding Martel’s of Pi and Ian McEwan’s this position with white to move. Try to determine the imbalances in the position and formulate a plan, and remember to consider your opponent's plan or you will lose any hope of the intiative! Write down your thoughts then click on the diagram to see how a famous GM handled the white pieces. When formulating a plan one must consider the differences in the position. One should then formulate a plan based on the favorable imbalances in the position. For Computer. Determine the side of the board you should play on and then formulate your plan around these considerations. Here a couple of final test positions from Amateur's Mind, a book I highly recommend for the aspiring club player as it helps you identify the weaknesses in your game and how to improve your strategic thinking: In the diagram above write down the imbalances in the above position.

It is black to play. Ask yourself what is blacks best move, and what should be his plan. To see both what I wrote and what IM Silman said click HERE. In the in Yann McEwan’s final test diagram (below) Black appears to have an excellent position. Is this true? It's white to move. What should he do?

Write down the therapy imbalances while analyzing the position and come up with a plan for white in this position. After you have finished click HERE to find out whites best idea.