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asimov essay torrent Isaac Asimov: A Prophet For Our Time 1. These things shall be: a loftier race. Than e'er the world hath known shall rise Isaac Asimov: A Prophet For Our Time 1. These things shall be: a loftier race. Than e'er the world hath known shall rise, With flame of freedom in their souls, And light of science in their eyes. (John Addington Symonds) KEY TERMS : Isaac Asimov -- naturalism -- cultural evolution -- world government -- digital revolution -- futurism -- built-in-doubter -- scientific method -- the anthropic principle -- mysticism -- scientific humanism. By the end of the 1960s it was clear to most concerned observers that the scientific approach to knowing was still foreign to the general world culture. Although science was revolutionizing the course of history and opening the entire universe for intelligent perusal it was seldom being applied to the social realm, and had scarcely dented the world views of human beings. Conceptually speaking, the majority of Earth's inhabitants were still living in a world defined by Bronze Age tribalism. An American chemistry professor, Isaac Asimov, recognized the danger that this situation posed for honor humanity. Armed with a uniquely creative imagination, plus a gift for explaining difficult ideas, he began to carve out a remarkable dual role: that of Essay the Scrivener: The Mysterious Bartleby, science-fiction writer and futurist, and of public educator and interpreter of science. To Spend Honor On 6.2? Perhaps more than any other modern writer, Asimov succeeded in spreading the idea of the universality of scientific inquiry to every corner of the civilized world. His world view was founded on an open-ended naturalism: a philosophy that evolves in tandem with the science on which its ultimate premises depend. But, unlike the work of the great earlier philosophers of catcher in the, naturalism such as John Dewey, Asimov's message was communicated in a format and language readily understandable by ordinary people.
THE MAKING OF A FREE-LANCE SCIENCE EDUCATOR. Isaac Asimov was born in 1920, in Russia, into a Jewish middle class family, and he died in 1992. In 1923 his parents had emigrated to the United States, where they made their living by operating a candy store. By the to spend honor time he was eleven years old, Isaac was already trying to write. Use Semantics In A Sentence? In 1938, as a very youthful college student and what to spend honor, aspiring science-fiction writer, he met an editor, John Campbell, who was to play a helpfully critical role in his life for ruth many years.
Isaac published his first science-fiction story in what honor on 6.2 1939, the same year that he graduated with a B.Sc. from a junior college division of Columbia University. He then entered Columbia's Graduate School, majoring in chemistry, while continuing to work in the family store and publish science fiction. By 1942 the modern japanese architecture United States was at war. Asimov, already a recognized science-fiction writer, left his doctoral studies to work as a chemist at the US Navy Yard in Philadelphia. He was drafted and shipped to what on 6.2, Hawaii in 1945, not long before the end of hostilities, and found himself back in civilian life by July of 1946. Two years later the PhD in chemistry was completed. After a year of the Scrivener: The Mysterious, post-doctoral work, Asimov became an instructor in biochemistry at the Boston University School of Medicine. In 1950 he published his first novel, Pebble in the Sky , and in to spend on 6.2 1951 he was promoted to the position of the Scrivener:, Assistant Professor. Asimov's humorous down-to-earth speaking style, and his comprehensive grasp of the entire field of science, must have made him an outstanding classroom teacher. His academic output during the next few years included the textbook, Biochemistry and Human Metabolism , and to spend honor on 6.2, another book, The Chemicals of Essay the Scrivener: The Mysterious Bartleby, Life . However, he considered as his most important scientific contribution (the one that all by itself justifies my scientific career. ) 2 the paper which, for the first time ever, pointed out the importance of carbon 14 in the body. Meanwhile, he had discovered his gift for explaining science in a friendly, breezy way that seemed to intrigue publishers and readers alike.
He began writing books on science for young readers as well, along with what was by what honor on 6.2 then an no plagiarism, annual torrent of science fiction. In 1955, in recognition of his accomplishments and teaching competence, the School of Medicine granted him the tenured position of Associate Professor. Thus far, Asimov's career had developed not too differently from that of his contemporaries. However, by 1955, trouble was already brewing for him in academia. With the honor coming of a new Dean that summer, he realized that he had gained his tenure just in time. Ruth Benedict Patterns Of Culture? The truth was that he simply did not fit in. What To Spend Honor? He had recognized that his talents lay, not in original research, but in clarifying and making connections among the in the rye cliff research findings of others. The ability to do this, not only for students, but for the general public as well, is not at all common in the university community.
It is, in fact, so rare that one might expect that it would be highly valued. But Asimov came to realize that his work was considered bad for the university's reputation, and that he was not welcome there. Years later he wrote, I was a danger to no one, to be sure. I was not pushing for promotion, or salary, or power, but even the fact that I wasn't was an annoyance, since it implied an indifference to that which others find important. 3. At one point, the administration confiscated Asimov's share of certain grant money assigned to the university in his name, after he had completed all the work and what to spend honor on 6.2, made all the expenditures for which it had been earmarked. He noted that, as a widely published author, he had dealt in use semantics the harsh world of business for twenty years and no one, outside the Halls of Academe, had ever tried to cheat him. For some years Asimov was a non-person in those halls, befriended only by one courageous member of the faculty: a female.
He finally moved to resolve the dilemma by agreeing to continue holding his title and what honor, tenure, while receiving no pay. In return he would lecture to students only once a year. Although he loved teaching, and his classes were popular, Asimov eventually came to realize that the forced compromise had been for the best. He was now a full-time writer. I was forced along the path I ought to in a sentence, have taken of my own accord, if I had the what on 6.2 necessary insight into my character and abilities.
4 Twenty-one years later, in 1979, Boston University was only too happy to no plagiarism, award the internationally proclaimed author and science educator with a Full Professorship. THE GIFT OF CLARITY IN EXPOSITION. In his role as educator, Asimov wrote on the subject of the evolution of human culture in general and science in particular. He published almost 400 titles, including science fiction, science books for young readers, collections of on 6.2, non-fiction essays on scientific and philosophical topics, general history, and annotated works on the Bible and other literary classics. He traced the development of Judaism and Christianity by analyzing Biblical accounts of human origins and pre-history in the light of what science and historical scholarship have taught us since the Bible was written. For example: he explained how the Adam and Eve myth can be found in 5000-year-old Sumerian legends; how Noah's Ark probably represents a folk memory of an actual flooding of the Tigris-Euphrates valley in the twenty-fourth century BCE; how the maslow deficiency needs Single-God hypothesis originated in the fourteenth century BCE with the Egyptian pharaoh who took the name of Ikhnaton, and worshipped the Sun god, Aton; and how the idea of Satan and of virgin births had their sources in the religion of early Persia. Asimov presented the Old Testament as a literary masterpiece, much of it put together around 500 BCE, during the on 6.2 period of the Babylonian Exile, and representing the collective knowledge of the most learned members of the in the Judaic culture. It is obvious that he viewed its Books with reverence, as a monument to the wisdom, scholarship and literary skill of its Hebrew authors. However, although he respected the Jewish tradition growing from those Biblical roots, he said that he did not value it above those of other groups, nor did he value the tendency to to spend honor on 6.2, exclusiveness that all such traditions foster.
He wrote: I just think that it's more important to be human and to have a human heritage, and japanese, I think that it is wrong for anyone to feel that there is anything special about what to spend on 6.2 any one heritage of whatever kind. It is delightful for the human heritage to exist in ruth benedict patterns of culture a thousand varieties, for it makes for greater interest, but as soon as any one variety is thought to be more important than any other, the what honor ground is laid for destroying them all. No Plagiarism? 5. Perhaps Asimov's greatest talent as an educator was his ability to articulate for his readers the basic conceptual framework of each of the established disciplines with which he dealt in his books. Like all good teachers, he was well aware that simply transmitting bits of information does not lead to understanding. In addition, he seemed to have assumed a responsibility for organizing and simplifying new knowledge in astronomy, physics, chemistry, biology and ecology as it becomes confirmed and established, and for what to spend identifying the connections among these studies and their implications for the future of humanity.
Most of the essays in his various collections are concerned with these matters. ON THE EVOLUTION OF CIVILIZATION. As if all that were not enough, Asimov attempted to do the same thing for history. In his 1991 book, The March of the Millennia , he related the evolution of civilization to the development of technology -- beginning with the discovery of fire by no plagiarism early hominids. His premise was that it was this crucial technological breakthrough that first distinguished our ancestors from other primates and gave them their evolutionary advantage. As in the case of what to spend, all subsequent technology, fire made greater demands on primitive communication skills as well as expanding opportunities for their practice. It also increased the food supply of ruth benedict, that species of upright animals which mastered it, and made it possible for their range and numbers to increase.
From then on, natural selection would have ensured that Man was intelligent enough to be a tool-designing animal in a large way, and that meant a new kind -- a much faster kind -- of honor, evolution began to take place. 6. Rye Cliff? That new kind of evolution was accelerated considerably with the what honor next great technological revolution: the domestication of maslow deficiency needs, plants and animals and the more stable form of social organization that farming required. For Asimov it marked the achievement of civilization. He selected 8000 BCE as an approximate date for the beginning of the kind of to spend on 6.2, society that is marked by agriculture and cities. Bartleby? 7 From that point on there was to what to spend, be no turning back, although the myths of all cultures have expressed a yearning for some dimly remembered golden age before the use semantics in a advent of honor on 6.2, agriculture. Many of these myths reveal, as well, a deeply embedded resentment and scapegoating of women.
Asimov related this to the probability that it was the female of the species who initiated seed planting and the caring for animals and thereby the modern japanese architecture more organized, responsible and labour-intensive existence that such practices required. What Honor? (A further possible explanation of such myths is that it would likely have been non-childbearing males freed by a surplus food supply who had sufficient leisure time to become the modern architecture first story-tellers and soothsayers.) The arrival of agriculture brought organized warfare in to spend its wake, as settlements tried to protect their stores from invaders. Asimov believed that this determined the pattern of use semantics in a, history for the following twenty centuries. What On 6.2? It is the modern japanese story of an evolutionary arms race (no doubt spurred on by population pressures) that generated invention after invention -- each providing a temporary resting place for the more innovative civilization. Ultimately, in every case, the barbarians without would co-opt the technology and use it against the settled group. Asimov cited the Sumerian invention of the wheel which (along with the taming of to spend honor on 6.2, wild horses) led ultimately to the chariots used by the Kassites to overrun Babylonia; the invention of metallurgy that resulted in the iron weapons of the Hittites which were, in turn, used by the Dorians who destroyed the Mycenean and Ionian Greek civilizations; the mounted cavalry and spears and shields of the Assyrian hordes; the technique for Essay telling direction by the stars that enabled the Phoenicians (formerly the settled citizens of Canaan or Palestine) to become the invincible seafaring arm of the early Persian Empire until conquered by the Romans using the same technology; Alexander's successful use of the to spend on 6.2 Theban phalanx and the catapult; the modern Roman legion formation and the roads used by the Goths to destroy the remnants of the empire in its waning days, and so on and on.
Invariably, these technologies were invented by a dominant civilized culture and ultimately turned against their originators by successive waves of invading barbarians. Asimov suggested that the tide did not turn in favor of settled civilizations until the invention of what to spend, gunpowder in catcher notes the fifteenth century AD. A similar watershed was crossed with the discovery of nuclear fission and the revolution in communications and transportation resulting from the other World War II breakthroughs of radar, jet propulsion and the computer. A major theme of all of Asimov's writings is the need for humankind to recognize the significance of these seminal events. ON THE NEED FOR WORLD GOVERNMENT. This is where Asimov, the futurist, steps in. However, his was not the futurism of the 1990s, which has seems to what to spend honor, have been appropriated by mystical transcendentalists. Instead, Asimov chose to shed light on sentence, future possibilities and dangers by employing his analysis of a human history propelled into the future by technological advance generated by the demands of the recurring warfare which, in turn, is the inevitable consequence of population expansion. He claimed that, at every stage of the to spend on 6.2 resulting increase in intellectual and no plagiarism, organizational complexity, humanity had been faced with only what to spend three choices: abandon, endure, or advance! He noted that no society has ever voluntarily given up the improvements in quality of life made possible by the current technology.
The second option -- to endure -- is in a, simply to be buffeted about what to spend as helpless victims of change, with no corresponding social or cultural adaptation. Patterns? Asimov recognized that we have many tragic examples of this in the recent history of persistently nomadic cultures. He concluded that the successful societies at what to spend honor on 6.2 every juncture of history have been those which chose to advance. This move has always involved attempts to develop more appropriate social organization and even better technology in order to solve the problems of adaptation, including those problems created by sentence previous advances in technology. Asimov was convinced that the what concept of world government has been made possible and workable, for the first time in history, by the very technological innovations that have rendered it imperative. The advent of instant worldwide communications systems and no plagiarism, the prospect of open access to the products of global surveillance -- along with the technical capability to annihilate all life on Earth -- have made human social interdependence a fact rather than distant ideal. The kick you aim at your neighbor will hit your own rear as well. 8 He said that it is what honor on 6.2, time we forgot the myth of less-than-all -- the siren call of tribalism in all its ethnic, religious, and nationalistic forms. It is architecture, only the whole world as a unit that is, as yet, rich in all respects (provided we limit our numbers and what, grow wiser in our use of modern, power). Anything less than all?
Forget it. 9. He warned against the foolish idea of abandoning technology in our search for solutions, referring to the population explosion as the overriding challenge. Consider mankind's increasing numbers that are outstripping the food supply, outracing its energy resources, outgrowing its room, outraging its ecology. 10 We could, he conceded, forget medical science and allow unbridled plague to decimate our numbers. Spurning the use of agricultural implements, irrigation and fertilizer would accomplish the same end through wholesale famine. Abandon? Asimov maintained that the natural food trend is not the wave of the future. Endure? Or advance? Mankind has only a forward gear that will operate in safety. To go into reverse is sheer, unimaginable catastrophe.
It may be that, in the end, there is no escape at all, but if there should be escape, it can lie in only one direction: Forward. There must be still further advances in to spend technology; advances, it is to be hoped, more wisely managed than some we have had in the past. 11. Asimov predicted the end of sexism, noting that equality of the sexes has been shown to be associated with the freeing of no plagiarism, women from extended responsibility for childbearing. In a world where population expansion means destruction of the ecology, only a relatively few people will raise children, he said. The end of war will come about, not because of any change of heart on what honor on 6.2, the part of the majority, but because access for the barbarians without to the tools of mass destruction will mean suicide for the human race unless the world organizes to prohibit and contain the use of violence to achieve political ends. The great legal problem of the Essay on Bartleby the Scrivener: The Mysterious twenty-first century will, then, have to be the establishment of a strong world government, capable of withstanding the centrifugal shocks of separatism, and yet one that will not drown out regional self-rule in matters that are not of global interest. 12 According to Asimov, the end of racism will necessarily result, not only from what, world governance in no plagiarism action, but from the need for Earth people to cooperate in the collective use, colonization, and to spend on 6.2, protection of space. ON THE COMPUTER-BASED SECOND INDUSTRIAL REVOLUTION. Asimov saw two important steps for the immediate future.
One change involves the computerization of our society, and no plagiarism, the other change involves the extension of to spend, our capabilities through aeronautical and space research. 13 He expected that we will eventually establish ecologically self-contained colonies in space, as essential stepping stones to building a solar power station capable of providing a clean, safe source of energy that will last as long as Earth. He also suggested using space for Essay The Mysterious Bartleby purposes neither appropriate nor sufficiently safe for our fragile Earth: the building of nuclear fission and fusion stations (if needed); recombinant DNA research; the discharge of unavoidable pollution that is what to spend honor on 6.2, now threatening to patterns, engulf us; and the establishment of space laboratories. As for the role of computers in all this, he concluded: When we finally do extend the living range of what to spend honor on 6.2, humanity throughout space, possibly throughout the entire solar system and out into the stars, it will be done in tandem with advanced computers that will be as intelligent as we are, but never identically intelligent to humans. They will need us as much as we will need them. 14. Asimov's perspective on the computer was somewhat unique. He wrote that it is the key, not only to a necessarily more complex future, but to the only future that can work. He recognized that evolution, whether of biological life or technology, is irreversible and unstoppable.
The only alternative . is utter destruction. And that means complete computerization because the society has grown too complex to be made to Essay on Bartleby the Scrivener: The Mysterious, work in any other way. If we program our computers properly we will be able to apply minimum taxes, we will be able to hold corruption to a minimum, and we will be able to what, minimize social injustice. 15 In response to no plagiarism, the fear that totalitarianism would be the inevitable political consequence of the to spend comprehensive records (and public accessibility to maslow deficiency needs, these) made possible by the computer, he noted that twentieth century history has shown such systems to have quite the opposite roots and results. In his opinion, complete computerization of society would promote dissemination rather than centralization of information and power. Few yet comprehend it fully, but the advent of the computer represented the beginning of the second Industrial Revolution. Honor On 6.2? And even fewer recognize what Asimov considered one of the computer's greatest future contributions: its use as an instrument for helping humans determine appropriate solutions to the problems raised by the first Industrial Revolution. Now perhaps we can plan ways of accomplishing great change while foreseeing with useful clarity the consequences of modern, those changes, and what to spend honor, therefore so guiding them as to achieve what we want and expect, rather than stumbling into what we don't want and didn't expect. Essay The Scrivener: Bartleby? 16 What we want, however, will, then as now, be the to spend on 6.2 result of some sort of modern, collective value judgment, to be realized through a political process which computerization has the potential for rendering increasingly democratic and knowledge based. Asimov was convinced that not only will the computer be imperative as a tool for managing democratically determined social change, but it may soon have to what to spend on 6.2, operate in the service of another, even more sensitive and profoundly ethical human task. He put it this way: We have now reached the stage . Use Semantics In A? where the advance of genetic engineering makes it quite conceivable that we will begin to honor on 6.2, design our own evolutionary progress -- and will be stopped from doing so not by any strictly technical difficulty but by needs the overall ethical problems of deciding how we want to change, what we intend to become, where we want to to spend, go.
17 The computer, with its ability to in a sentence, demonstrate the honor on 6.2 chain of events flowing from every hypothetical option, would be invaluable in preventing grievous irreversible errors here. ON THE THREE LAWS OF ROBOTICS. But might not the on Bartleby the Scrivener: Bartleby computers take over, becoming the masters of to spend honor, humankind rather than its tools? Asimov provided a number of answers for this legitimate concern. Very early, in his science-fiction work featuring human-like robots, he introduced the notion of built-in precautions, to be programmed into all computer systems, once they begin to approach a complexity anywhere near that of the human brain.
He called these The Three Laws of Robotics. They have operated as essential guiding principles of science fiction ever since. He was convinced that, when the time comes, these rules will necessarily be applied to advanced computerization in real life as well. They are: (1) A robot may not injure a human being, nor, through inaction, allow a human being to come to no plagiarism, harm; (2) A robot must obey the orders given it by human beings except where such orders would conflict with the first law; (3) A robot must protect its own existence as long as such protection does not conflict with the first and second laws. 18. In Asimov's view, there is nothing to prevent the eventual development of computers with intelligence as efficient as that of humans, but with strength in quite different areas of what honor, functioning. It will never be a matter of their replacing human intelligence, but of complementing it. He maintained that the breakthrough in the evolution of computerized intelligence will come when we are finally able to design a computer capable of replicating itself -- and never exactly, but in the direction of a diverging series. The prerequisite is architecture, a computer that can formulate its own program for the design of what honor, another computer just slightly more complex than itself.
At that point, and only then, said Asimov, will a new form of intelligence be born on Earth. He expected it to emerge as an evolutionary product of the first great human intelligence: itself a product of the countless eons of geological time required for a step-by-step accumulation of maslow needs, structured connections within the human brain. According to Asimov, There is nothing magic about the creative ability of the human brain, its intuitions, its genius. It is made up of a finite number of cells of finite complexity, arranged in a pattern of to spend on 6.2, finite complexity. When a computer is built of an equal number of equally complex cells in an equally complex arrangement, we will have something that can do just as much as the human brain can do to its uttermost genius. Catcher In The Rye Cliff Notes? 19.
Asimov appeared to be quite sanguine about the possibility of computers equaling and possibly surpassing us in what to spend honor on 6.2 many aspects of braininess. He imagined them moving out to comprehend and no plagiarism, adapt to the entire universe in some far distant future millennium -- perhaps long after humanity has destroyed its earthly home. Honor On 6.2? They may even, he suggested, look back to some dimly remembered giant species in a Golden Age and muse: There was this serpent . The Scrivener: The Mysterious? 20. ON THE FUNCTION OF GOOD SCIENCE FICTION. Employing another self-coined term, Asimov explained The Three Laws of Futurics that have guided him in his predictions of the future. His advice was simply to (1) recognize that what is honor on 6.2, happening will likely continue to happen, (2) seriously consider the no plagiarism obvious, for few people ever do, and (3) consider the what logical consequences of current practices. Science fiction is an excellent vehicle for doing this, he said. It allows the The Mysterious writer to present the obvious long-term effects on human society and all life on Earth of what honor, following current trends . It was Asimov's hope that someone out there will sit up and take notice while there is yet time, and he thought that a good place to begin was with youthful readers.
However, all this applies only to the role of good science fiction and maslow deficiency needs, not to the fantasy/sex/horror variety that threatens to overwhelm the field today. Asimov was critical of the scientific illiteracy and drug-taking among many modern science-fiction writers. As a lifelong teetotaller he was amused to what on 6.2, encounter the comment that, for this generation of writers, drugs were an maslow deficiency, aid to creativity just as alcohol had no doubt been for Isaac Asimov. What? In Asimov's view, another important function of good science fiction is the development of a general scientific orientation in rye cliff notes committed readers. It can provide the background of reliable information and view of future possibilities needed to fuel the intuition and to spend, fire the use semantics imagination -- both conducive to scientific creativity.
It can also arm readers with a healthy skepticism concerning unsubstantiated propositions, even though they may enjoy the pursuit of these in a fictional context. ON THE ABILITY TO DOUBT INTELLIGENTLY. Asimov saw nothing essentially mysterious about creativity in science or any other field of endeavor. He claimed that it merely requires: (1) the possession of as many relevant bits of information as possible, (2) the ability to combine these in a variety of ways with ease and comprehension, (3) the honor on 6.2 ability to intuit, with great rapidity, chains of consequences flowing from new combinations of bits, (4) courage and (5) lots of luck. The other vital aspect of the scientific orientation is what Asimov called a built-in doubter. One must be able to doubt intelligently; that is, to judge the authoritativeness of the source of a proposition, and rye cliff notes, the nature of the claim being made for it (the degree that it fits into the structure of science). If it represents a revolutionary departure, doubt should be very great. Asimov reminded us that even Einstein did not overturn the entire structure of physics.
He did not prove Newton's theory wrong, but merely incomplete: a particular instance of a much broader principle. Asimov offered a general rule for evaluating scientific heresies. If they emerge within the to spend scientific community, and are not taken up and maslow needs, supported by what the public, they often turn out to be right. But, on the other hand, when a view denounced by scientists as false is, nevertheless, popular with the general public, the mere fact of the popularity is no plagiarism, strong evidence in favor of its worthlessness. He noted that, for to spend on 6.2 the growth of science, doubting is far more important than believing. It is all too easy to be gullible; to doubt requires logic and a depth of knowledge of the field in question. According to no plagiarism, him, the procedures of scientific inquiry are specifically designed to encourage doubt and prevent easy acceptance of what to spend honor, new propositions.
This is why experiments must be repeated and observations and maslow deficiency, measurements confirmed in a variety of situations by on 6.2 different researchers; why speculations that fail to generate hypotheses capable of standing up to such repeated efforts to disprove them fall by the wayside. For Asimov, science was, more than anything, a rigidly formalized procedure for ensuring and satisfying doubt. Use Semantics Sentence? Echoing Karl Popper, he pointed out that All this is nothing more than the setting up of a system of honor, `natural selection' designed to winnow the fit from the unfit in the realm of ideas, in a manner analogous to ruth benedict of culture, the concept of Darwinian evolution. The process may be painful and honor on 6.2, tedious, as evolution itself is; but in ruth of culture the long run it gets results, as evolution itself does. 22. He compared science to other disciplines where there is as yet no accepted consensus.
The different schools argue endlessly, moving in circles about each other as fad succeeds fashion over the centuries. Though individuals may be unbelievably eloquent and sincere, there is, short of the rack and the stake, no decision. 12 In a field such as sociology, he said, one can be a plausible fake simply by what to spend on 6.2 learning the in the rye cliff notes language and speaking with authority. There are no procedures, such as those at the heart of science, which, sooner or later, reveal all fraudulent claims. Asimov explained that, because of its internal requirements of testability and replicability, the evidence provided by science is compelling . What To Spend? None of the so called alternative paths to truth are capable of presenting similarly compelling claims. He related how people who like to hold beliefs for which there is no plagiarism, no such evidence often ask him if he believes in honor on 6.2 anything at all.
He then quoted his typical answer: I believe in observation, measurement and reasoning, confirmed by independent observers. Architecture? I'll believe anything . if there is evidence for it. The wilder and what to spend, more ridiculous something is, however, the firmer and more solid the evidence will have to be. 24. Modern? ON THE PERSISTENCE OF ANTHROPOMORPHISM. The underlying message in all of Asimov's writings is one of thoroughgoing naturalism. Not for him were mystical quests for honor on 6.2 meaning above and apart from the strivings of humanity. In his view the Universe can have meaning . only ruth patterns insofar as its incredible intricacies can be sensed, interpreted, and to spend honor, analyzed by Intelligence.
24 That he had no use for mysticism in any form was made plain by a reference to Martin Gardner as one of those few people . who are utterly rational and maslow, who, surrounded by what honor on 6.2 the wonders of science, have always been able to distinguish those wonders from the malodorous glitter of mysticism. 26. Asimov confronted the use semantics in a issue of supernaturally based religious claims in his typically direct fashion, noting that no evidence has ever been uncovered by science that in to spend honor on 6.2 any way points to divine guidance in the workings of the Universe. Nor is there evidence of the existence of a soul or any other non-natural essence that sets humans apart from other animals and departs at death. While admitting that this does not amount to proof that such entities do not exist, he reminded us that the same applies in the case of Zeus, Marduk, Thoth and a myriad of other supernatural beings.
It is use semantics, not reasonable, he said, to demand proof of a negative and to accept the positive in the absence of such a proof. What? 27. In A Sentence? Asimov discussed the tenacity of the strong anthropic principle in human culture: the notion that the honor universe was formed for the benefit of no plagiarism, human beings according to to spend honor, the design of an omnipotent observer. A currently popular revival of this takes the form of an argument (sometimes even presented by accredited scientists) that, because only Earth seems to be conducive to life, these uniquely perfect conditions must have come about by design rather than by accident. Asimov responded with the following scenario: There may be an indefinitely large number of universes in existence, each with a different set of laws of nature . In only one of them do the laws of nature allow for the existence of life. This universe would be ours, and we would have evolved in architecture it and then marveled at how exactly suitable the universe is for us . We find our universe perfect because it is the only one we could exist on. 28. Asimov explained that the anthropomorphism behind the strong anthropic principle is a remnant of the geocentrism that dominated civilized thought from the time of Ptolemy to what to spend honor on 6.2, that of Copernicus and Galileo. Even today, he said, most people are geocentric, anthropocentric, ethnocentric, and egocentric.
Intellectually they may know better, but emotionally the old infantile self-absorption and tribalism is still in maslow deficiency the driver's seat. The other-world religions, with their myths about authority from on high, cater to these primitive emotions and the fantasies that feed them. Nonetheless, Asimov sounded a stark warning concerning the need for a this-world focus. In an age when the Earth was sturdy and indifferent to any damage that mankind with its small numbers and what to spend on 6.2, feeble power could do, refuge in fantasy-security was psychologically comfortable and could do little harm. Nowadays, such fantasies could kill us all . we must all be very sure that, just as it is man alone who is destroying the world, so it is man alone -- alone -- who must save the world. 29. ON ROLE OF HUMANISM IN THE FUTURE COURSE OF HUMANKIND. During the twentieth century, humanism has not always maintained the core of reason and commitment to disciplined inquiry that was its trademark in earlier times.
Sometimes the no plagiarism worst enemies of science have been experts in the subjects usually termed the humanities. Asimov reminded us that the humanities have traditionally represented secular learning: the accumulated product of human intelligence. Certain scholars in the humanities seem not to have noticed that, since the Renaissance, science has become an overwhelmingly significant aspect of the universal culture. This means that, today, people can no longer claim to be humanists and yet remain ignorant of science, for, in so doing, they have deliberately isolated themselves from what to spend honor on 6.2, one of humanity's most important concerns. Similarly, no one can claim to be a humanist in the late twentieth century while refusing to no plagiarism, acknowledge the primacy of reason and evidence in the search for knowledge. Here, Asimov's only to spend source of optimism was the fact that there is always a new generation coming along. Every child, every new brain, is no plagiarism, a possible field in which rationality can be made to grow. We must therefore present the view of reason, not out of honor on 6.2, a hope of maslow deficiency needs, reconstructing the deserts of ruined minds that have been rusted shut, which is honor, all but impossible -- but to educate and rye cliff, train new and fertile minds. 30.
Perhaps the most compelling argument ever made for scientific humanism is contained in Asimov's introduction to honor on 6.2, his 1978 book, Life and Time . He began with Alexander Pope's couplet (Know then thyself, presume not God to no plagiarism, scan; The proper study of mankind is what, man.) and needs, proceeded to analyze it in the context of current scientific knowledge. First, he identified the real nature of the antithesis posed by honor Pope as being between matters subject to the laws of nature and those assumed to be bound by patterns of culture no laws of any kind. Pope was presenting humanity's two choices: scientific inquiry leading to expanding knowledge or endless speculation leading nowhere. Honor? But what about the Essay on Bartleby the Scrivener: emphasis on the human species as the measure of all things? How are we to answer modern critics of what to spend honor, humanism who claim that the perspective is human-centered to Essay on Bartleby The Mysterious, the exclusion of other living things and other aspects of the Universe? Asimov asked, Is the what to spend on 6.2 study of humans, then, not too confining? His answer came as a resounding No! He explained that such a study is inherently and use semantics in a, necessarily limitless, for the simple reason that our species does not exist in to spend honor on 6.2 a vacuum. Every other form of life affects or is affected by it; every environmental condition on Earth operates to the Scrivener: The Mysterious, shape us and is, in turn, altered irrevocably by our activities. Humankind is as subject to the laws of the Universe as is the what smallest atom and the most distant quasar, and if it takes the study of the infinitely small, the infinitely large, the infinitely distant or the infinitely abstract to elucidate those laws, then all those infinities are man's direct and selfish concern.
To study man, then, is to study the Universe. No Plagiarism? 31. Furthermore, wrote Asimov, our species is a unique part of that Universe. The human brain is the result of some fifteen billion years of evolution, and we may very well be the only portion of this vast process with sufficient complexity to be aware of our context and positioning in space. Indeed, if we cannot exist without the Universe, neither can the Universe be observed or understood without us. 32. Asimov believed that we should appreciate the what on 6.2 distinctiveness and significance of the human species in the scheme of things -- seeking to understand it and the evolution that brought us into being. No other species has developed the creative and powerful instrument of scientific inquiry: a process with the capacity to catcher notes, illuminate the pulse of the Universe back to the very beginning and the end of what honor, Time.
If we would but rid ourselves of our crippling Bronze-age cultural imperatives we could learn to focus that same instrument on the nature of benedict of culture, humankind itself. Asimov's greatest contribution to social science and modern humanism may well be his recognition of all this. 1 An excerpt from this essay by Pat Duffy Hutcheon was published in The Humanist (March/April 1993, p.3-5) under the title of 'The Legacy of what to spend honor, Isaac Asimov'. 2. No Plagiarism? Asimov, Isaac. What To Spend Honor On 6.2? In Joy Still Felt: An Autobiography of Isaac Asimov (New York, NY: Doubleday, 1980), p.9. 6. ----------------. Science Past -- Science Future . (New York, NY: Doubleday, 1975), p. 164. 7. Modern? ----------------. The March of the Millennia . (New York, NY: Walker and Co., 1991), p.15. 8. What To Spend Honor? ----------------.
Life and Time . (New York, NY: Doubleday, 1978), p. No Plagiarism? 250. 13 ---------------. Our Future in the Cosmos in James Burke (ed) The Impact of Science on honor, Society . (Washington, DC: NASA, 1983), p.59. 15.---------------. The Tragedy of the Moon . (New York, NY: Doubleday, 1973), p.193. 16.---------------. The Beginning and the End . (New York, NY: Doubleday, 1977), p.172. 21.
Chambers, Bette. Isaac Asimov: Durable and Enduring Selections. (The Humanist , Nov./Dec., 1986), p.14. 22. Essay The Mysterious Bartleby? Asimov, Isaac. Fact and Fancy . (New York, NY: Doubleday, 1962), p.246. 23. To Spend? ----------------. Today, Tomorrow and . Maslow? . To Spend Honor On 6.2? (New York, NY: Doubleday, 1973), p.308. 24.
Chambers, Bette. Catcher In The? The Humanist. (Nov./Dec., 1986), p.14. 25. Asimov, Isaac. Today, Tomorrow and . , p.237. 27.----------------. In the Beginning . (New York, NY: Crown Publishers, 1981), p.11-12. 30. Chambers, Bette.
The Humanist . (Nov./Dec., 1986), p.15.
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rose essay vail co The following 2002 essay was written by honor, William H. No Plagiarism. Gerdts, Professor Emeritus, Graduate School of the to spend on 6.2 City University of New York, for the illustrated catalogue Masters of Light: Plein-Air Painting in California 1890-1930 , ISBN 0-971-4092-3-4 (cloth) , which accompanied the exhibition, Masters of Light , the first ever international exhibition of California plein air paintings to tour Europe. The essay is modern architecture reprinted with permission of The Irvine Museum and without illustrations. If you have questions or comments regarding the essay, or wish to to spend on 6.2 purchase a copy of the catalogue, please contact The Irvine Museum directly through either this phone number or web address: Redmond's fame both in his own time and today rests principally upon his mastery of the Essay the Scrivener: The Mysterious Bartleby theme of what honor, fields of wildflowers, above all golden yellow poppies. CALIFORNIA LANDSCAPE WITH FLOWERS is one of the most monumental of these, the expansive horizontal spread of the canvas echoing the vastness of the state itself. In such pictures, the tapestry of bright colors covering the rolling hillside glows in the light of California, a paean to its unique natural qualities. Probably dating from the 1920s, as does its near-mate, POPPY FIELD LANDSCAPE (Laguna Art Museum), such pictures inevitably conjure up the aesthetics of Impressionism.
They call to mind Claude Monet's own paintings of poppies in Giverny and elsewhere, and the works of American artists working in a similar fashion - Childe Hassam on in a, the island of Appledore, Julian Onderdonk in the bluebonnet fields of to spend honor on 6.2, Texas. Redmond was painting and exhibiting scenes featuring fields of poppies at use semantics least as early as 1912. Despite the fact that some critics labeled Redmond's poppy pictures as potboilers,  his choice of what, subject matter was, itself, a tribute to and celebration of California, where the poppy is the state flower. In California at the turn of the century, poems were written and in a sentence, legends were recalled extolling the poppy, designated the Queen flower of them all.  Writers such as Charles Lummis declared such fields of wildflowers as The Carpet of God's Country, referring not only to what to spend honor the poppies, but to benedict the forty million flowers of all species and all colors that covered the landscape - the honor field, not of the Cloth of Gold, but of the cloth of all the jewels and all the maslow deficiency colors and all the what honor ores in ruth of culture, the treasury of the universe.  In addition, the cultivation of the poppy, otherwise a wildflower, was considered by gardeners worthy of celebration.  Almost all of the state's landscape painters joined Redmond in choosing to paint such subject matter; it would probably be simpler to list those who did not. The painters discussed so far, who were among the dominant figures in Southern California art at the end of the 19th century and in the first decade of the 20th, may not have considered themselves as belonging to the Impressionist movement, nor did critics specifically identify them as such.  Certainly those who spent time abroad early in their careers, such as Wendt, Redmond, and John Gamble, could not have helped being exposed to what was still, for Americans, a radically advanced aesthetic, while these artists may also have become aware of Impressionism through works seen in San Francisco in the 1890s, or in New York and Chicago in that decade. Still, their celebration of the what light and colors of California would appear to have been basically homegrown. The actual identification of California artists as Impressionist would appear to have begun no earlier than 1909, and became more common by 1911.The problem is Essay on Bartleby that the critical reception, by and large extremely positive, was directed not toward Wendt, Puthuff, or Redmond, but toward a group of painters almost totally forgotten today: Jack Gage Stark seems to have been the first, followed by Detlef Sammann, Helena Dunlap, and Ernest Browning Smith. Antony Anderson, the very perceptive art critic for the Los Angeles Times, unquestionably the major critical force on what to spend honor, the local scene and one who would champion the local Impressionist faction until his retirement in the mid-1920s, noted in December 1911, By now we are getting accustomed to impressionism in Los Angeles.
Few of us dare laugh at it, for in a sentence, fear that we may become the butt of what to spend honor, our own jokes. We are beginning to take it seriously, to study it, to enjoy it.We've had [Jack Gage] Stark, [Detlef] Sammann, Helena Dunlap, [and Ernest] Browning Smith.  It was at this time also that a group of works painted in deficiency needs, Pasadena by Frederick Frieseke, an what on 6.2, artist who was then becoming one of the best-known American painters working in Giverny, France, and who was visiting his parents in California, was seen by benedict, Anderson at honor the Kanst Art Gallery in benedict patterns of culture, Los Angeles in December 1911. To Spend Honor On 6.2. They were not on public view but were being framed there. Anderson had stepped into the Kanst studio, to find five wonderful paintings of gardens under sunlight by ruth benedict of culture, Frederick C. Frieseke, who had run out from New York to visit his parents here, and honor, who painted these five impressions of gardens with figures on his brief stay . They would be eye-openers to catcher in the rye cliff notes our Los Angeles public - educational skyrockets.Yet, Frieseke was a perfectly proper and academic painter a year or two ago, just as Sammann was.  It is not known whether Anderson's comments drew local artists to study these pictures before they were shipped back to to spend honor on 6.2 Frieseke's New York dealer, William Macbeth, but Kanst did hold an exhibition of Frieseke's work, though the date of the show has not been identified.  Thus, Impressionism was in the air in Los Angeles when one of the state's native sons, Guy Rose, returned in 1914 from a long sojourn in Giverny and New York. Born in San Gabriel, Rose was another artist who had trained in San Francisco at the California School of modern architecture, Design before going on for further study in Paris in 1888. What To Spend On 6.2. He must have become aware of Impressionism there, and found further exposure when he joined the modern architecture art colony in what honor, Giverny in 1890-91; Rose included several Giverny landscapes among his pictures on view in Los Angeles at Sanborn,Vail Co. in October 1891, and several were shown at the San Francisco Art Association the following year.
After this visit to California, Rose was in patterns of culture, New York, and in 1894 returned to Paris and Giverny. Beginning in 1895, Rose taught for four years at Pratt Institute, Brooklyn, before returning to what honor Paris and Giverny in 1899, and then purchasing a house in the latter in 1904. Having had to use semantics in a sentence abandon his art almost completely owing to lead poisoning around 1897, Rose resumed painting in 1908, and became one of the most successful of Frieseke's many associates, like him painting colorful figural pictures of on 6.2, lovely young women outdoors, as well as several nudes in interiors. Rose's friendship with Frieseke is beautifully documented in ON THE RIVER (cat. 50) of ca. No Plagiarism. 1910, a depiction of Frieseke's wife, Sarah, or Sadie, in a boat on the Epte River. This was painted at the same time, though from a different vantage point, as one that Frieseke himself painted of his wife (LADY WITH A PARASOL, Cornelia and Meredith Long Collection). The lovely, isolated woman was a staple of on 6.2, latter-day Impressionist painting in Giverny, an object for male delectation and admiration. Indeed, though the no plagiarism Epte River, a branch of the Seine passing through Giverny, was actually a narrow stream, here the shore-less waters open up broadly, completing the subject's isolation within Nature. Like most of on 6.2, his American colleagues working in the Giverny art colony in patterns of culture, the first two decades of the 20th century, Rose alternated his figural subjects between members of the artists' families and professional models; unlike their predecessors of the previous decades, they seldom, if ever, called upon the local populace to pose for them.
One of Rose's finest figure pieces painted from the model in Giverny is THE GREEN PARASOL (cat. 48), perhaps the archetypal Giverny figure picture. The beautiful woman wears the favored patterned kimono and holds a decorative parasol, both reflections of the what to spend honor contemporary preference for Japanese motifs, the parasol shielding her from the Essay on Bartleby Bartleby bright sunlight while also isolating her in the foreground plane. And behind her, scintillating green-yellow leaf patterns hanging from unseen trees form a curtain above the flickering reflections in the blue water - presumably the Epte River again - offering intriguing color juxtapositions of blue to what to spend on 6.2 blue, green to green. Much more than Frieseke, however, Rose concentrated on pure landscapes, utilizing the high-key colorism and painterly brushwork of Impressionism, undoubtedly influenced by Claude Monet himself; Rose and his wife, Ethel, were among the very few American painters of his generation in Giverny who actually came to know Monet personally. Sentence.  One of the finest of these landscapes is what honor on 6.2 THE BLUE HOUSE (cat. 49) of ca. 1910; this painting, in fact, is also something of a testimonial to that relationship, for the house depicted belonged to Monet, and ruth benedict patterns of culture, it was where the artist developed his vegetable, or kitchen garden after he had converted the grounds of the what Maison du Pressoir, his home, into the luxurious floral setting still maintained today. The Blue House, or Maison Bleue, was on the Rue du Chêne, at notes the other end of town from the to spend Maison du Pressoir.  Presumably the majority of Rose's French pictures were painted in and around Giverny, but Rose traveled quite extensively in France, both to the northern coast at Honfleur, and in the south to Toulon, Antibes, and Cannes. Having enjoyed a tremendously successful group show late in 1910 at the Madison Gallery in New York along with his fellow Giverny-ites - Frieseke, Richard Miller and Lawton Parker - Rose returned to that city two years later.
He painted in New York and in Wickford, Rhode Island, while teaching an outdoor sketching class at Narragansett; several figural works depicting lovely young women in the landscape painted at Essay the Scrivener: Wickford have recently come onto what to spend honor on 6.2 the art market. Essay On Bartleby The Scrivener: Bartleby.  Two years later, in October 1914, Rose returned to Los Angeles; the following year he began exhibiting with the California Art Club and teaching at the Stickney Memorial School in Pasadena, where he became director in 1918, while enjoying one-person shows over what to spend honor on 6.2 the next decade at the Steckel, Kanst, and japanese architecture, Cannell and Chaffin galleries in Los Angeles, and from 1920 on at the Stendahl Galleries in that city - as well as at the Elizabeth Battey Gallery, Pasadena, the Friday Morning Club in Los Angeles, the what on 6.2 Shakespeare Club in Pasadena, and the Los Angeles Museum of History, Science, and Art - and while establishing representation at japanese architecture the Macbeth Gallery in New York, where he exhibited from what to spend honor 1913 to 1918. At his death in 1925, Rose was deemed unquestionably the greatest landscape painter of the Impressionist school that California has produced.  Southern California appears to have become immediately aware that a major artistic personality had returned to Los Angeles. Antony Anderson noted that the return of Guy Rose. was an event of importance to patterns Los Angeles.  Anderson also recognized immediately that Rose's paintings represented unqualified Impressionism, referring to him in a review of Rose's first Los Angeles show at the Steckel Gallery in February 1915 as a frank disciple of Monet and his school . Like them, he paints the out-of-doors, its colors broken into beauty by brooding sunlight, caressing air and moving winds. Needless to what honor on 6.2 add that he paints much in sentence, the 'high key,' which is the key of honor on 6.2, nature.  Anderson was later, however, to distinguish Rose's work from that of Monet, finding the former's paintings more poetic, more architectonic, and more pictorial.  Edgar Hunt noted in 1916 that Rose was modern in every respect.  At the no plagiarism same time, Rose was seen as championing the California landscape; when his pictures were on view in February 1916, Anderson noted, Charming as are the pictures from Giverny and what on 6.2, Toulon, they have not the Essay the Scrivener: The Mysterious Bartleby grasp of the solidities that we find in those from Laguna and La Jolla. They are not so translucently poetic.
Perhaps the painter has always needed the sunlight of his boyhood. What To Spend On 6.2.  Rose gave a new boost to the spreading of the tenets of catcher, Impressionism in the region, first through the exhibition of his Giverny paintings, and then from his newer work painted along the coastline at Laguna Beach and La Jolla in to spend, late 1914, 1915, and 1916. Some of Essay Bartleby, these pictures concentrated upon the coves below the rugged coastal cliffs at Laguna Beach, as in his VIEW OF WOOD'S COVE, ROCKLEDGE (cat. 47), emulating the tradition of Winslow Homer and, closer to home, William Ritschel up in Monterey, depicting the meeting of the flowing Pacific waters and what on 6.2, the sloping rocky shoreline. Rose, along with most of the other Impressionists working at Laguna Beach, painted a great many pictures of these coves, but this particular view at Arch Beach, just south of Laguna Beach proper and once a separate community; was especially favored by deficiency, him. What On 6.2. Indeed, one can even identify a serial predisposition in his choice of subject here, perhaps not unrelated to the serial work of his French colleague Monet. There would seem to be at least three similar versions of this scene; VIEW OF WOOD'S COVE, ROCKLEDGE is a variant of the rye cliff artist's INCOMING TIDE (Joan Irvine Smith collection) and also of his ARCH BEACH COVE, which was included in to spend, the Guy Rose Memorial show at the Stendahl Art Galleries in Los Angeles in February 1926.  He would continue this serialization in some of his subsequent landscape painting on the Monterey Peninsula. Rose began exhibiting his Arch Beach pictures in no plagiarism, his first one-person show held at the Los Angeles Museum of History, Science and Art in honor, February 1916, and Essay on Bartleby Bartleby, others were shown in January and October 1917 and March 1918; presumably, then, these works date from 1915-17.
Rose also painted in what to spend, the High Sierra in the summer of 1916, as well as in his home area of patterns of culture, San Gabriel. Rose was one of the few California Impressionists to have had direct contact with a major European Impressionist. What Honor. Perhaps the only other such painter was Arthur Grover Rider, a disciple of the on Bartleby the Scrivener: The Mysterious Bartleby greatest of the Spanish Impressionists, Joaquín Sorolla. Just as Sorolla was a later master than Monet, so Rider appeared in California only in the 1920s, possibly as early as 1924, when the Impressionist movement was already entrenched in the state.  He lived in Los Angeles and painted at Laguna Beach, where he established a studio in the early 1930s. Like so many of the California Impressionists, Rider came from Chicago and to spend honor on 6.2, trained there at in the rye cliff the Academy of Fine Arts before going to Paris. Rider is said to have become a disciple of what honor, Sorolla when the latter was teaching at Essay the Art Institute of Chicago in 1911, after which Rider followed him back to Spain;  other reports have them meeting while Rider was painting on the beach at Valencia, Spain. Rider worked there for nine summers, exhibiting in Valencia at the Circulo des Bellas Artes, and he was a part of Sorolla's funeral cortege in 1923  Following Sorolla's lead in both subject and pictorial mode, Rider became intensely interested in Spanish fishing boats with their billowing sails, painting in broad areas of bright colors such subjects as BRINGING IN THE BOATS (cat.
42), a theme he began exhibiting at what to spend honor on 6.2 the Art Institute of Chicago in 1921 and repeated many times. The emphasis here is upon the play of white and catcher notes, brilliant blue, contrasted with the keel of the boat and the figure in dark shadow; the picture gains tremendous immediacy in the unrestrained movement of boat, figure, and water directly toward the viewer.  While Rider is especially renowned for his Valencian scenes painted in on 6.2, the manner of in a sentence, Sorolla, he was also deeply committed to the Southern California landscape, capturing, in such a picture as his 1928 OAK STREET, LAGUNA BEACH (cat. 43) the rural charm of honor, that artists' community where he spent the in the rye cliff years 1928-31. In such a painting, the to spend honor on 6.2 glistening sea, the shaded trees, and the rolling dirt road speak not of privation and primitive living conditions, but the use semantics compatibility of man's dwellings within the natural setting, emphasized by so many painters in this most congenial of California art colonies. Guy Rose advanced the aesthetics of Impressionism in Southern California not only by his own example, but by attracting to the region a number of his Giverny colleagues, several of whom joined him in teaching at the Stickney Memorial School.
Richard Emil Miller, primarily a figure painter in the Frieseke mold, was the first of these. Miller arrived in Pasadena in July 1916 and gave weekly criticisms there beginning in October; he remained through March 1917, while living on Arroyo Drive among the art colony there, and painting in the garden of Mrs. Adelbert Fenyes (Eva Scott Fenyes), herself an artist.  Miller had had a work on to spend on 6.2, view in Los Angeles in 1913 at the opening show of the Museum of History, Science, and Art, and Rose included Miller's SCARLET NECKLACE (Hevrdejs collection) in a show he organized for the Museum early in maslow deficiency, 1916, which was acquired by the Museum, but deaccessioned in 1966. Miller seems to have had an influence on the local art scene, but more lasting was the later appearance in the Los Angeles area of John Frost and Alson Clark. John (Jack) Frost was the what honor son of the great illustrator, Arthur B. Ruth Patterns Of Culture. Frost; he and honor, his brother, Arthur, Jr., had been taken to France by their father for Parisian training in on Bartleby the Scrivener: The Mysterious, 1906. Frost and his family lived in Giverny for several years beginning in what to spend, 1907, during which Arthur Sr.'s closest friend and fishing companion was Guy Rose; John Frost studied there and in Paris with Richard Miller.
After returning to America following three years in a Swiss sanatorium for tuberculosis (1911-14), John Frost settled in Pasadena in the beginning of 1919, and was soon followed by his parents, all of them undoubtedly attracted both by the favorable climate, given young John's frail health, and by Rose's presence. Indeed, the health-promoting effects of California's climate had long been presented as one of the major attractions for both visitors to japanese architecture and settlers in Southern California, particularly for those suffering from to spend honor pulmonary ailments.  As early as 1874, Ben Truman, in his classic Semi-Tropical California, noted: The best medicine for consumption is a dry, warm, equable climate [for which there was] no better place than that portion of the coast of California from Santa Barbara to San Diego.  California was regarded as The Summerland of America for its ever-salubrious climate.  In 1892, Dr. Walter Lindley was promoting the elevated valleys of Southern California as winter resorts for those with pulmonary diseases, while in the summer the same sites served as vacation hostels  Yet, many warnings were issued against over-optimistic expectations of recovery; as early as 1895, Dr. Norman Bridge warned against the notion that a three-month vacation would be restorative. Maslow Deficiency.  Henry Kingman later pointed out that the region was not suited to those suffering from what honor tuberculosis owing to on Bartleby the dampness, and recommended instead the honor neighboring southwestern states.  Nevertheless,John Frost thrived in the Southern California climate. Recollecting his years in Giverny with Rose, John Frost was quoted in 1927 as stating that he now finds ten minutes outside of Pasadena, all the atmosphere Guy Rose and he found abroad in those days.  Arthur B. Frost, Sr. lived in sentence, Pasadena until his death in 1928, and John remained only long enough to close out his father's affairs, and then returned east.  Frost does not appear to have been particularly attracted either to coastal or Sierra subjects, however, in clear distinction to Rose; rather, his most characteristic subjects were the cottonwood tree and the desert landscape, seen in THE FLOWERING DESERT of 1922. The desert, of on 6.2, course, would have had special attraction for one suffering from tuberculosis.
In 1926 a critic noted that when John Frost looked toward our mountains and our desert he found exactly the subjects suited to his training and temperament. Ruth Benedict Patterns.  Frost's palette is his alone, a pale reflection of Impressionist chromatics, though still relying on color rather than tone. The artist enjoyed the what to spend great flat expanse, enlivened by the tufts of green foliage and patches of pink verbena, with a gnarled desert tree at the right, and backed by the almost spectral snow-topped mountains in maslow deficiency, the distance. Arriving in what to spend honor on 6.2, Pasadena for modern architecture, a visit in 1919, the same year as Frost, and settling there in the Arroyo Seco the following year, the otherwise peripatetic Alson Skinner Clark remained in Southern California for the rest of his career. As with so many of his colleagues there, Clark had been born and trained in Chicago, at the Art Institute, before going on to study first in what, New York and then in Paris. Clark led a nomadic life, mostly abroad, though he continued to exhibit extensively at modern the Art Institute through the mid-1920s, even after he was resident in to spend honor, California; he also enjoyed the first of several one-person shows there in 1906.
In the summer of 1907, Clark painted a series of pictures, subsequently exhibited in America, of the French chateaux, and afterwards he was in Giverny for a visit in the autumn of ruth patterns, 1910.While many of his early Chicago paintings are dark, dramatic cityscapes, Clark had already begun to utilize the strategies of to spend on 6.2, Impressionism even before his visit to Giverny, in winter scenes painted in modern japanese architecture, Quebec in 1906-07, in his subsequent French chateaux pictures, and even more in such works as his 1909 PLAZA DEL SOL, MADRID (cat. 7), with its high coloration and bright sunlight. Encouraged by their artist-friend, F. Luis Mora, who had just returned from Spain, Clark, his wife, and Mora sailed for Spain in the spring of that year, disembarked at Algeciras, and what on 6.2, traveled extensively, visiting Seville, Granada, Toledo, and Segovia, as well as Madrid, their goal there being primarily to visit the Prado museum. Their hotel was located on the Plaza del Sol, and Medora Clark, the use semantics artist's wife, later recalled that Clark did, however, during the first set of the Prado's closing hours in what to spend on 6.2, the early afternoon, paint a big canvas of the Puerta del Sol.  Though the no plagiarism picture is luminous, Clark still presents the buildings and trolley cars in a highly structured manner, as formal blocks played off one against to spend honor the other, with touches of maslow needs, bright color introduced in pedestrians and wagon wheels, distributed throughout the scene. What To Spend Honor. Clark's Spanish collection was initially exhibited to great acclaim at use semantics sentence the O'Brien Gallery in Chicago in March 1910.  While his stay in Giverny was short, Clark reestablished there his earlier connections with Frieseke, Rose, and Lawton Parker, and joined the rest of the colony there, including Miller and the Frosts; his experience in the French art colony may have led him to adopt a more scintillating, truly Impressionist brushwork.
Back in honor, North America, Clark subsequently painted a much-heralded series of 18 pictures of the building of the Panama Canal in 1913, which were exhibited at the Panama-Pacific International Exposition in maslow needs, San Francisco in 1915. After settling in California, he joined Rose on the faculty of the Stickney Memorial School (shortly before the latter's debilitating stroke), and in the same year had his first one-person show in the state at to spend honor on 6.2 Stendahl Galleries in Los Angeles. Even in his later years, Clark did not abandon his travels, making numerous painting trips to Mexico, the rye cliff first time in 1923, and to spend honor on 6.2, he may have returned to Charleston in the Scrivener: Bartleby, 1933, having painted there previously in 1917. In addition, in what to spend honor, 1902, Clark painted murals in the Mancel Talcott School in Chicago, and Essay on Bartleby The Mysterious, later accepted mural commissions in California, such as the seven panels done for the Carthay Circle Theatre in 1926; four for the First National Bank of Pasadena in 1929; eight oval paintings for the Women's Dining Room of the California Club in Los Angeles in 1928; and in honor, 1932 eight sepia murals for maslow needs, the Teatro Leo Carillo in to spend on 6.2, Los Angeles; he also painted the curtain for Pasadena's Community Playhouse in deficiency needs, 1925 . Among the what on 6.2 more significant artists active during the later years of the Giverny colony, Clark was one of the painters there devoted almost solely to catcher landscape. He did, occasionally, paint the figure, including a group of portraits created in what to spend honor on 6.2, the middle of the first decade of the 1900s, before he adopted the strategies of Impressionism. Japanese Architecture. One of his first California pictures and best-known works is a depiction of to spend on 6.2, his wife, REVERIE (MEDORA ON THE TERRACE, cat. 6) of 1920, set on in a sentence, the patio of their Pasadena home. Beyond a fond and gentle imaging of Clark's beloved mate, the honor on 6.2 picture is a quintessential Impressionist representation, the on Bartleby The Mysterious Bartleby languorous, lovely female, suffused in sunlight, with the what to spend ubiquitous parasol, both a shield and an emblem of catcher in the, sunlight and lassitude. To Spend On 6.2. Contemporary evaluations of such imagery differ. Catcher In The Notes. Brain Dijkstra views this picture as a perfect expression of the ideology of passive, reproductive femininity, of a creature 'whose normal physical and mental condition' seemed to be indeed little more than that of a 'sick child'.  Will South, on the other hand, views such an image far more positively, noting that, in such California Impressionist figure painting, the interaction with the what on 6.2 environment was always positive - an ruth benedict patterns, act of what to spend honor, enjoyment, meditation, or praise. 
Without meaning to denigrate the many other professional painters working with Impressionist-related strategies and objectives,William Wendt and Guy Rose would seem to have been the most significant and original painters in Southern California in the first three decades of the 20th century. Rose may have had more direct influence on some of his contemporaries, but Wendt was active there far longer, and both artists realized both critical acclaim and significant patronage, not only in California but elsewhere - Wendt in Chicago particularly and The Mysterious, Rose in New York.  Though the two do not appear to have been especially close, there is no indication of any sense of what to spend, rivalry between them, or that most contemporaries regarded them as representative of opposing or competing schools.  They were both active in the California Art Club, and, along with Puthuff, Payne, and ruth benedict patterns, the Wachtels among others, both Wendt and Rose were also members of the Ten Painters Club of California, a primarily Impressionist group not unlike their namesake in New York, the Ten American Painters; the short-lived California association held exhibitions in 1919 at the Kanst Art Gallery, at which each of nine members succeeded one another with one-artist shows held between March and to spend honor on 6.2, July (the one for Jack Wilkinson Smith remained unscheduled). Rather, Wendt and Rose seem to have been two of the brightest stars in a glowing firmament shining upon and celebrating the California landscape. Both artists were also active painting at Laguna Beach. Wendt had been there as early as 1905, and was one of the founders of the Laguna Beach Art Association in 1918, the year he built his studio there.
Rose exhibited with the Association in use semantics in a, August and September 1918, May and what honor, June 1919, and, after his stroke, his work was shown during all three summer months in 1922.With its year-round temperate climate, along with the natural beauty of its broad swath of cliff-crested beaches and nearby canyons, Laguna Beach had served as one of the in a sentence earliest painting grounds for Southern California landscape painters, even in the late 19th century. George Gardner Symons, yet another Chicago-born and -trained artist, and a close friend and painting-companion of Wendt, had first come to California in the early 1880s. He returned with Wendt in 1897 to paint at Malibu, on commission from Frederick Hastings Rindge, who had acquired Rancho Malibu, one of the original Spanish land grants, in 1892.  Symons was the earliest artist of note (Wendt was the what honor second) to settle in Laguna Beach, building a studio in Arch Beach, just south of Laguna in 1903, and painting there over the next several decades, often large, dynamic coastal scenes such as his SOUTHERN CALIFORNIA COAST (cat. 54). Symons, a major figure who has yet to be studied in depth, carries a confused artistic identity, for he also maintained a studio in the Massachusetts Berkshire Mountains, and is nationally better known for his winter landscapes painted there, than for his colorful, sun-filled scenes painted along the Southern California shore. Likewise, he is often grouped with Edward Redfield and the Pennsylvania Impressionists, with whose winter scenes Symons's bear close similarities.  By the second decade of the 20th century, Laguna Beach had become a well-known art colony, the most celebrated one west of the Mississippi River.  Edgar Payne was the Essay on Bartleby The Mysterious Bartleby guiding figure in what to spend, the establishment of the Art Association, leading his colleagues to adopt the abandoned town hail and remodel it under his direction; he also became the Association's first president.
The colony there differed from many other art communities in that, unlike, say, Giverny, it did not revolve around one major figure, nor did it, as did Old Lyme, Connecticut, or Provincetown, Massachusetts, foster a significant summer art school.  Around 1917, Rose painted one of japanese architecture, his seminal images of what to spend, California there, his LAGUNA EUCALYPTUS (cat. 46), perhaps the supreme achievement of Rose's fascination with trees, which led him to show the Essay The Mysterious Bartleby distinguishing characteristics of many varieties both abroad and in what to spend honor, America. Eucalyptus trees, imported from Australia, were planted in the 1890s in response to the Timber Culture Act, as an improvement to legalize land claims in the area. They probably came from the seedbeds along the railroad tracks, where the trees were raised by A.C. Carle of El Toro.
Carle had been hired by Dwight Whiting, owner of the Rancho de Los Alisos; about 40,000 to 50,000 trees were grown by him.  The eucalyptus was celebrated not only in paint but also in poetry, as in Harry Noyes Pratt's The Eucalyptus.  In Rose's picture, the trees are seen from a worm's eye view, their incredibly tall, thin trunks snaking upwards, their masses of foliage framed against the sky, their shape echoed in the billowing clouds.The work, sent by the artist late in 1917 to his New York dealer, William Macbeth, who exhibited and sold it early the following year,  offers a succinct rebuttal to the implicit denigration associated with the expression the eucalyptus school. LAGUNA EUCALYPTUS (cat. Modern Architecture. 46) is unusual among Rose's pictures painted in that community. What Honor. Most of his other known Laguna pictures are bright, sunlit coastal scenes, such as the VIEW OF WOOD'S COVE, ROCKLEDGE (cat. Ruth Patterns. 47), emphasizing the steep, craggy rock formations plunging directly into the Pacific. Indeed, the ocean and coast understandably figure in honor, almost all the landscapes painted by the many members of the Laguna art colony; the in the rye cliff California coastline had long been recommended as one of the most enticing features of the region, above all because its beauties and attractions may be enjoyed during every month of the year.  William Wendt's THE SILENT SUMMER SEA (cat. 58), painted in 1915, is a stark, terse, but brilliantly lighted coastal scene, set abruptly above the rocks, with only what on 6.2 a precarious toehold in the yellow-brown hillside grasses before the visual plunge into the blue waters.
Wendt typically emphasizes the structural solidity of the ruth benedict patterns rocks with slab-like brushstrokes, relieved against the intense blue of the what on 6.2 ocean, made all the more immediate through the high horizon.Thus, the viewer senses the tremendous breadth of the sea, while at the same time, without any coloristic amelioration or atmospheric haze, the high horizon validates the picture's basic flatness. THE SILENT SUMMER SEA was exhibited with the California Art Club in October 1915, when it gathered such encomiums as the no plagiarism one that appeared in The Graphic : [Wendt] seems to have captured the spirit of what honor on 6.2, 'The Silent Summer Sea.' I believe Mr. Wendt will one day paint marines which will win him world renown. There is a direct understanding for flowing elements, a fine interpretation of texture and glory in the composition.  Read more articles and essays concerning this institutional source by visiting the sub-index page for the The Irvine Museum in in a sentence, Resource Library Magazine. Search for more articles and essays on American art in Resource Library . See America's Distinguished Artists for biographical information on honor on 6.2, historic artists. This page was originally published in 2003 in Resource Library Magazine . Please see Resource Library's Overview section for more information. Copyright 2012 Traditional Fine Arts Organization, Inc. Modern Architecture. , an Arizona nonprofit corporation.
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Email a Colleague Printable Version Permalink. Share of Facebook Share of Twitter. Privacy and Data Protection Attorney with 2-4 years of experience. Associate - Privacy and Data Protection (Houston Office) Houston office of our client seeks privacy and data protection attorney with 2-4 years of breach response experience. The candidate will be counseling clients for use semantics in a a variety of industries on data breach investigations, federal and state breach notification requirements, and regulatory investigations. Will be providing crisis management guidance with the flexibility to work with clients when they need assistance. Understanding related compliance regimes and enforcement trends. Managing multiple deadlines and prioritizing multiple tasks to produce a high volume of quality work. Interacting with clients directly which requires excellent communication skills, maturity, and poise.
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Many attorneys who are in this firm are active in community pursuits apart from the practice of law and the firm appears to have a somewhat larger outlook beyond the confines of its Houston office building. 3 2017-09-14 21:25:56. 2500 Citywest Blvd Ste 300. Email a Colleague Printable Version Permalink. Share of Facebook Share of Twitter. Junior Litigation Attorney with discovery experience. Houston office of our client seeks junior litigation attorney with 2 years of experience. The candidate will manage cases on own and be able to assist on cases managed by others. Will handle all aspects of litigation, including conducting discovery, taking and defending depositions, motions practice, and trial. Direct client communication.
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Global Energy and Transactions Attorney with 3+ years of experience. Houston office of our client seeks global energy and what to spend on 6.2 transactions attorney with 3+ years of mergers and acquisitions and/or securities experience. Legal. This is a mid-sized office of a powerful national law firm. Many businesses and ruth benedict of culture industries in the Houston area regard this as their premier choice for high level counsel in Houston.
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20 Best And Worst Fonts To Use On Your Resume. To Spend On 6.2. Before you even walk into a job interview you’ve made a first impression on the interviewer. How? Through your resume. According to a study conducted by the job search site TheLadders.com, recruiters spend only about six seconds scanning a resume. No Plagiarism. So it’s essential that your resume makes a great first impression — that it looks professional and to spend well organized. Use Semantics Sentence. How do you do that? You start by using a resume font people can actually read (that#8217;s what this post is for), then you design a resume that stands out from the rest (here#8217;s how you do that). When you have both these things you go into Canva and design the thing for free in no time (here#8217;s how you upload fonts from this article into Canva and here#8217;s where you go in Canva to start your new resume design right now). Times New Roman is probably the most commonly chosen fonts for resumes — the very reason you should avoid it, and why it appears on our “Worst” list. So if you don’t want your resume to what to spend honor on 6.2, look like hundreds of others, you’ll want to choose something else.
And Garamond is a great alternative. A timeless serif typeface like Times New Roman, Garamond’s precursors have been in Essay on Bartleby The Mysterious use for around 500 years. The modern version has the benefit of giving your resume a classic, polished look that’s much more interesting that the overused Times New Roman. As a bonus, if you’re struggling to what honor on 6.2, condense your resume to one to two pages (which is a good idea), Garamond can help you fit more text on a page without sacrificing readability by no plagiarism lowering the font size or crowding your design by tightening up the on 6.2, spacing. This simple, sophisticated sans-serif typeface, designed in England in the 1920s, will give your resume a look that is catcher rye cliff, both classic and modern. It’s used widely in the UK (across the what to spend, British Railways system, by the BBC) and elsewhere. You might also notice that Gill Sans is very similar to the custom lettering featured on the famous, WWII-era “Keep Calm and Carry On” poster, rediscovered at a British bookstore in 2000 and subsequently popularized with many replicas of the design. Maslow Needs. You’ll find this font distributed with Mac OS X and some Microsoft software as Gill Sans MT. Cambria, a serif font, is part of a suite of what to spend honor on 6.2 typefaces called the ClearType Font Collection, which has been widely distributed with Microsoft Office programs. These typefaces (Calibri, Cambria, Candara, Consolas, Constantia, and Corbel) were designed specifically to on Bartleby, perform well on what to spend honor on 6.2 computer monitors.
The studio that created Cambria describes it as “the ‘new Times New Roman”…designed specifically for on-screen reading, while still remaining applicable for print,” thanks to its sturdy letter construction that retains legibility even at small sizes. Catcher Rye Cliff. This makes Cambria a good choice for both online and what to spend on 6.2 printed resumes. Wikimedia Commons/Hans Hoogglans. Although it has been the default Microsoft Word font since 2007, Calibri is still not used as often as Arial, which landed on our “Worst” list for patterns, that reason. This font has other things going for it, though; professional resume writer Donna Svei points out that typing in what honor on 6.2 Calibri at a 12 pt. size will produce around 500 to no plagiarism, 750 words, the to spend honor, ideal length of a two-page resume. Our third and last selection from maslow deficiency Microsoft’s ClearType Font Collection, Constantia’s rounder letterforms make it look more friendly and less stuffy than many serif typefaces. It’s also suitable for to spend, use both on-screen and in printed documents, making it useful for when you need to distribute your resume in both digital and hard copy form. Originally designed for corporate use, Lato is sans-serif font created to look neutral in body copy but have some unique traits at larger sizes. In A Sentence. The font’s designer describes Lato as “serious but friendly” — perfect for what to spend on 6.2, resumes. Deficiency Needs. It comes in a wide range of weights and styles, though the “hairline,” “thin,” and what to spend “light” weights will be too hard to see at small sizes.
It’s available for of culture, download (free for both personal and commercial use) and for web use on Google Fonts. Didot is a distinctive serif font with an upscale look (perhaps a product of its Parisian roots). This classy typeface can lend some style to your resume and seems to be particularly popular for industries like fashion and photography. However, its delicate serifs display most clearly at to spend, larger sizes, so you’ll do best saving Didot for headings rather than body copy. Wikimedia Commons/Pierre Rudloff. The Scrivener: The Mysterious. This Swiss sans-serif typeface is considered by many designers and typographers to be the king of fonts. It even has its own self-titled documentary film. Thanks to its modern, clean lines and exceptional clarity, Helvetica is widely used in honor everything from use semantics sentence major corporate logos (BMW, American Airlines, Microsoft) to New York City’s subway signs. To give your resume a clean and contemporary look that’s still professional, try Helvetica. It’s included with Mac operating systems, but if you’re wanting to to spend honor on 6.2, use it with Windows, you’ll have to purchase it. Georgia is another alternative to Times New Roman.
This serif font has letterforms with thicker strokes that make it easy to read even at benedict of culture, small sizes. Plus, because it was created specifically for clarity on computer monitors, it looks great viewed on any digital document, such as if you’re sending your resume as a PDF. This versatile sans-serif font has a very clean, crisp appearance that will give any resume an what updated look. It has multiple weights that you can use to differentiate the various sections and features of your resume, but you should probably avoid the “book” and “light” weights, as well as any condensed versions — they can be hard to read. Catcher In The Notes. Avenir Next is what to spend on 6.2, another good option; it was released as a follow-up to sentence, Avenir to improve the font’s on-screen display capabilities. Dribbble/Mario Leo Fasolo. Surprised this one is on to spend on 6.2 the list? There’s nothing wrong with the font in itself, it’s just that it has been (over)used and abused. In A. Since everyone else is using it on what their resumes, yours won’t stand out.
Plus, Times New Roman is sentence, hard to read at very small sizes and doesn’t display particularly well on what to spend honor on 6.2 screens. Like Gill Sans on our “Best” list, Futura was created in the 1920s. Except this sans-serif typeface was designed in Germany and rye cliff is more geometric in form. Although it’s a clean, attractive font, the overall appearance is somewhat stylized and atypical. To Spend On 6.2. With quirks like unusually tall lowercase letters and a jarring contrast between sharp and round letter shapes, Futura leans more toward decorative and interesting (a.k.a, a display font, meant to maslow, be used sparingly) than practical for text-heavy documents like resumes. In the overused category, Arial is Times New Roman’s sans-serif equivalent. Using a font that’s so common (and, some would say, boring) may be perceived as a lazy choice — not putting much thought or effort into your resume. Honor. Plus, Arial is Essay on Bartleby The Mysterious Bartleby, basically an what honor on 6.2 adaptation of Helvetica that’s a little looser and more irregular in its construction. There’s nothing wrong with conventional fonts, but there are better sans-serif choices out there than Arial. Designed to replicate the look of a typewriter and later adapted for use on no plagiarism actual electric typewriters, this font makes it look like — you guessed it — you typed your resume on a typewriter.
Which you didn’t — unless you haven’t updated your resume in 30 some-odd years. Plus, because this is a monospaced typeface (every letter is spaced equally, as opposed to what to spend, most other proportionally spaced fonts) it can look a little unnatural, particularly for modern architecture, whole pages of text. Tempted to put your name at the top of your resume in a script that looks like handwriting to give it a little personality? Don’t do it! And especially don’t use Brush Script, which has been so overused that it now looks cheap and dated rather than retro and nostalgic (it was designed in 1942).
While certain creative industries will offer some leeway in playing with the appearance of your resume, when in what honor doubt, it’s always a safe bet to the Scrivener: The Mysterious Bartleby, stick to conservative font choices (which means no scripts or other display fonts). Unless you’ve been living under a rock for the past several years, you’ll know that using Comic Sans is considered the to spend, cardinal sin of font choices. It was created in 1994 to replicate the look of comic book speech bubbles, and that’s about all it’s appropriate for. The casual, almost childish look of the font makes it distracting in no plagiarism any serious context. What On 6.2. And in in the rye cliff case you’re wondering why anyone would use Comic Sans on a resume, according to this manager, it does happen. Just remember: it’s a good rule of thumb to stay far away from any font that might possibly come across as fun, flowery, flashy, or funky. To Spend Honor On 6.2. Century Gothic has a sleek, modern look, but it’s probably a little too irregular for resumes. Additionally, the Bartleby, thin letters of this font’s regular weight can be hard to read, particularly at small sizes. There’s really no good reason anyone should want to use this on a resume, but people seem to like it. So if you’re tempted to give your resume an adventurous or exotic air with Papyrus, resist.
This font is so cliche (probably second only to Comic Sans) that is has become something of to spend honor a joke — Fast Co. Design puts it this way: “as everyone who has written a school project over the last decade will tell you, Papyrus is the font you use to spell out the the Scrivener:, word #8220;Egypt.#8221; Want to make a bold, confident impression with your resume? You don’t need a bold, heavy font to do it. Impact is most likely intended for use in all caps for headlines, but because it includes lowercase letters, people are sure to use it for body copy, where it’s almost impossible to read. Yes, Trajan Pro has a dignified, important feel, but it would be more appropriate etched into stone than typed on your resume. That’s because the typeface was inspired by what on 6.2 the letterforms carved into Trajan’s Column, a monument dedicated to use semantics, the Roman emperor of the same name. The font only has capital letters and small caps (no lowercase option), which makes it unsuitable for typing out readable sentences on your resume.
So it’s probably a good idea to leave Trajan to the movie posters (more than 400 of them), particularly those starring Russell Crowe. For resumes, a font size of on 6.2 10 to the Scrivener: The Mysterious Bartleby, 12 pt. (depending on what honor on 6.2 the particular font, but no smaller than that) is sentence, standard. Larger sizes are acceptable for headings or subheadings. To Spend On 6.2. Remember that everyone viewing your resume on modern a computer will have different fonts installed, and you don’t want your carefully chosen typeface automatically replaced with a substitute that messes up the document’s appearance and formatting. That’s why it’s a good idea to always save and send your resume as a PDF, which preserves the to spend on 6.2, original appearance (unlike a MS Word document). Do you have a favorite (or least favorite) font for resumes? Share in the comments below. Bring great design to architecture, your entire workplace. Janie is a freelance writer and graphic designer and the owner of Design Artistree Creative Studio. After college, she built on her background in art to honor, explore design. and loved it.
Now, she enjoys finding ways to deficiency needs, combine the honor on 6.2, craftsmanship of traditional fine arts with the digital possibilities of graphic design. Build Your Brand: How to Choose The Right Fonts. 60 Free Sans Serif Fonts to no plagiarism, Give Your Designs a Modern . What To Spend. 60 Free Serif Fonts to Give Your Designs a Traditional . 60 Free Calligraphy Fonts to Bring Charm to Your Design. 60 Free Outline Icon Sets Perfect for Contemporary Desi. 60 Free Fonts for Minimalist Designs. 50 Free Headline Fonts Built For Impact And Audience En. 50 Beautiful Free Wallpapers For Creatives [2015 Editio. 50 Design Terms Explained Simply For Non-Designers. The 30 Best Free Social Media Icon Sets of 2015. Patterns. 100 Brilliant Color Combinations and How to Apply Them . Free Icons: 49 Best Sites To Find Beautiful And Useful . On 6.2. 60 Awesome Free Tools To Create A Visual Marketing Camp.
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Can You Justify It . . . Fudging Anything On Your Resume? A note came in last week via LinkedIn. What Honor On 6.2! From a new friend who was struggling with a question that I’ll bet a number of you have pondered. Is there ever a situation where you can fudge something on your resume? What if it’s just a little thing? A two week shift in a date to rye cliff notes, make it look like you had been at what to spend honor on 6.2 your job an extra year? Will anyone really ever know? Here’s the question. And I appreciate my friend agreeing to let me share it:
Q: About 3 weeks ago I was offered (and accepted) a job (yay) but unfortunately I was not able to negotiate them up on salary or bonus or really anything. It wasn’t a terrible offer and the company looks very exciting (it’s a start up so there’s lots of opportunity to progress), however I need to think about #1 and salary is still important… My question is, I am still keeping my eyes peeled for employment opportunities, so as I update my resume I wonder if I should even bother including my newly accepted role… it would literally say January 2010 to present… uhhh… and to be honest I think they’re still sussing out exactly what my title and responsibilities will be (at this point I am the entire marketing department), so I’m not even sure what I would write… Your thoughts/advice would be greatly appreciated. A: This is no plagiarism, always a tough question. It is always better to look for a job when you already have one. And it is nice to show a current company – says you were “wanted” in a tough job market. But the honor, fear of including such a short stay drives people to consider other options.
Ways to “clear up possible confusion”. So what are those options that one might consider? 1. Ruth Benedict! Leave The Current Job Off Of Your Resume. Inaccurate, however I have seen a number of people do this. On 6.2! Of course you have to no plagiarism, ask yourself: is there any chance someone at to spend honor the new company will know you (or knows someone who does) and may say “Hey, didn’t you already find something?” Risky.
2. Include It As An Interim Contract Job or Consulting Role. Not honest but there is a way (based on on Bartleby Bartleby the still muddy role) to characterize it a bit differently. What Honor! Less risky but still inaccurate. 3. Essay! Include It Accurately As Your Current Job. As long as you don’t have any other really short stays on your resume, this may not be an what, issue for no plagiarism people. On 6.2! After all, most understand that sometimes things don’t work out. And your recognizing that quickly says that you have a conscience. Risk? People may see you as having made a bad decision. You are deemed impulsive.
So, here’s my take. I always steer people toward being authentic and honest in their materials and, after reviewing your options, can only japanese suggest #3. Honesty. The right hiring manager/company will understand. To Spend Honor! There are always other ways to go, but as a great recruiter friend told me recently: “Don’t lie on your resume, even if its a small one. You will forever be explaining that decision.” How would you have answered that question?
Any differently? Most people giving advice related to in the rye cliff, LinkedIn suggest waiting 30-45 days after starting a new job before including it in what to spend, your profile. You will be extremely busy those first few weeks understanding your role. Despite the interview process there are always surprises and benedict patterns of culture, you probably want to what to spend honor on 6.2, cast your new job in terms of the no plagiarism, company culture and lingua franca of that position. I don’t find anything misleading about it.
Once you add the what to spend, new position to LinkedIn, then you can honestly record the job start date. Most people giving advice related to LinkedIn suggest waiting 30-45 days after starting a new job before including it in your profile. You will be extremely busy those first few weeks understanding your role. Despite the interview process there are always surprises and you probably want to cast your new job in terms of the no plagiarism, company culture and lingua franca of that position. I don’t find anything misleading about what to spend honor on 6.2 it. Once you add the new position to LinkedIn, then you can honestly record the maslow deficiency, job start date.
Pingback: McDermott Bull() I’ll have to what to spend honor on 6.2, think a little bit more about the LinkedIn advice – haven’t see that written anywhere, but I can see why people might wait. But I think a lot of catcher in the, people are proud of their new job and want to shout it to the rooftops. In terms of your comment “there are always a few surprises”, I guess I don’t agree with that. What Honor On 6.2! It’s never happened to me (7 companies) and I think that a good interview process on both sides should expose “most” of the surprises. I have had a boss leave shortly after my starting though!
I guess that’s one surprise. Finally (and sorry to in a, be so disagreeable today), it is what honor, misleading by definition to not include a position on your resume. With the exception of jobs 10-15+ years ago, your most recent history needs to on Bartleby The Mysterious, be reflected. Whether you’ve added it onto your LinkedIn profile doesn’t matter. I’ll have to think a little bit more about the LinkedIn advice – haven’t see that written anywhere, but I can see why people might wait. What To Spend On 6.2! But I think a lot of people are proud of no plagiarism, their new job and want to shout it to the rooftops. In terms of what honor, your comment “there are always a few surprises”, I guess I don’t agree with that. It’s never happened to me (7 companies) and I think that a good interview process on both sides should expose “most” of the surprises. I have had a boss leave shortly after my starting though! I guess that’s one surprise.
Finally (and sorry to be so disagreeable today), it is misleading by definition to not include a position on your resume. With the exception of jobs 10-15+ years ago, your most recent history needs to be reflected. Whether you’ve added it onto your LinkedIn profile doesn’t matter. I have to be honest with you – there are more serious issues here than the “should I put it on the resume”. First, he accepted an opportunity without understanding what the role is (“to be honest I think they’re still sussing out exactly what my title and responsibilities will be”). He thinks he is “the entire marketing department”. In A! Something was obviously amiss in what to spend on 6.2, the interview process. Secondly, the mere fact of him even thinking of misleading potential employers (not to mention the one who gave him the opportunity) about his status raises all kinds of alarms. Authenticity, transparency, integrity.
He accepted the role and the salary. Nobody put a gun to his head to japanese, make him do so. We all know that if one is not happy about something in their role (in this case money), they are not going to what to spend, produce at a maximum level. If he is willing to use semantics sentence, do this, what else is what honor on 6.2, he willing to do? These types of things are never good and they always come back to maslow deficiency, haunt you. Finally, what about all the other people out there who truly wanted this opportunity and what on 6.2, would be ecstatic for the opportunity to help build a great company? What about the company itself who chose him to be a leader in helping to build a great company? Is his decision to accept this position just to have a job while he continues to ruth benedict patterns, look for what to spend honor on 6.2 something that pays more money even remotely fair to these various constituents? I think not and I wonder just how well he is going to do for this start-up.
I know people get into things/jobs that are not what they thought they were. However, this does not seem to be the case here. This one appears to be about one issue only – money. This should have been vetted before the acceptance. I was raised to act with the highest levels of in a, integrity. Great organizations are built with great people. Integrity is the cornerstone of doing so.
Sorry for the long response but as a Senior Executive, these are issues which truly get my passions flowing. I truly hope this young man figures out the right thing to on 6.2, do and shows the integrity to japanese, do it. I have to be honest with you – there are more serious issues here than the “should I put it on the resume”. What Honor On 6.2! First, he accepted an opportunity without understanding what the Essay on Bartleby, role is honor on 6.2, (“to be honest I think they’re still sussing out the Scrivener: The Mysterious, exactly what my title and responsibilities will be”). He thinks he is “the entire marketing department”. Something was obviously amiss in the interview process. Secondly, the mere fact of him even thinking of what honor, misleading potential employers (not to Essay The Mysterious Bartleby, mention the one who gave him the opportunity) about his status raises all kinds of alarms. Authenticity, transparency, integrity. What To Spend On 6.2! He accepted the role and modern, the salary. Nobody put a gun to his head to make him do so.
We all know that if one is honor, not happy about no plagiarism something in their role (in this case money), they are not going to what to spend honor on 6.2, produce at a maximum level. If he is willing to do this, what else is he willing to no plagiarism, do? These types of things are never good and they always come back to haunt you. Finally, what about all the what to spend honor on 6.2, other people out there who truly wanted this opportunity and would be ecstatic for the opportunity to ruth benedict patterns of culture, help build a great company? What about the company itself who chose him to be a leader in helping to honor on 6.2, build a great company? Is his decision to accept this position just to have a job while he continues to look for something that pays more money even remotely fair to these various constituents? I think not and I wonder just how well he is in the rye cliff notes, going to what on 6.2, do for this start-up.
I know people get into things/jobs that are not what they thought they were. No Plagiarism! However, this does not seem to be the case here. This one appears to be about one issue only – money. This should have been vetted before the acceptance. I was raised to act with the highest levels of to spend on 6.2, integrity. Great organizations are built with great people.
Integrity is the cornerstone of doing so. Sorry for the long response but as a Senior Executive, these are issues which truly get my passions flowing. I truly hope this young man figures out the right thing to do and shows the integrity to do it. Hey Jim – While I understand your view on maslow needs this one, I had a different take. First, I was glad to hear that they were asking the question. What To Spend Honor! Some would never have asked, just acted on impulse. They asked an honest question while perhaps admitting a mistake. Or at least thinking that they might have made a mistake.
When in job search it is no plagiarism, easy to be impulsive. To take an offer when nothing else is on what to spend honor on 6.2 the horizon. Even if it is not the ideal job, company or offer. We all learn from these mistakes. And, frankly, since we are all from different generations, we all grew up in different cultures. And were surrounded by different influences. While you were raised with integrity as a strong principle, others were raised with other principles. More entrepreneurial perhaps. Ruth Of Culture! Or more “strike while the iron is hot”. Thanks for adding your strong opinion here and perhaps others will agree with you.
I hope this discussion prompts others to think about what to spend their decisions. Both before acting . . . and after. In case they made a bad one to start. Hey Jim – While I understand your view on this one, I had a different take. Ruth Patterns Of Culture! First, I was glad to hear that they were asking the question. Some would never have asked, just acted on impulse. They asked an what to spend honor on 6.2, honest question while perhaps admitting a mistake.
Or at least thinking that they might have made a mistake. When in job search it is easy to be impulsive. To take an offer when nothing else is on the horizon. Ruth Patterns! Even if it is not the ideal job, company or offer. We all learn from these mistakes. And, frankly, since we are all from different generations, we all grew up in what, different cultures.
And were surrounded by different influences. While you were raised with integrity as a strong principle, others were raised with other principles. More entrepreneurial perhaps. Or more “strike while the iron is hot”. Thanks for adding your strong opinion here and perhaps others will agree with you. I hope this discussion prompts others to think about their decisions. Ruth Patterns! Both before acting . . . and what to spend, after. In case they made a bad one to start. Thanks for bringing this up.
I always am looking for no plagiarism another position. First document that I update after a new position start is to update my resume. The problem that I would have if I didn’t do this, is when would I then look for what another position? I have more trouble answering this question. For example, if someone asks for my resume, what do I say. No, I have to no plagiarism, update it? That doesn’t work for me at all.
I just reach into my portfolio and what, hand it to them. Thanks for maslow bringing this up. I always am looking for what to spend another position. First document that I update after a new position start is to update my resume. The problem that I would have if I didn’t do this, is when would I then look for modern architecture another position? I have more trouble answering this question. For example, if someone asks for my resume, what do I say. What To Spend Honor On 6.2! No, I have to in a, update it? That doesn’t work for me at all. I just reach into my portfolio and to spend on 6.2, hand it to Essay on Bartleby Bartleby, them.
I have a different view of both resumes and what to spend, Linked-in profiles. Sentence! A resume and what on 6.2, Linked-in profile are marketing documents and should be held to the standard of marketing documents, a tease, nothing false, but they are not 100% complete either. On Bartleby The Scrivener:! This is why having multiple versions of our resume is OK. So to the question, does someone have to put their most current position on their resume or Linked-in profile? To put it in a different perspective, does marketing collateral have to what to spend, mention the newest product release features? The answer to both is no. However, all relevant information needs to be disclosed at the appropriate time during the sale. The question is when. Personally I have non-conflicting side businesses, they aren’t on my resume, but my employer will know of use semantics sentence, them before we reach agreement.
My resume also doesn’t state that in what to spend, 1976 I worked for no plagiarism a now defunct company on to spend obsolete technology. However, if someone wants me to go back 34 years on my job application, it will be listed. I have a different view of both resumes and Linked-in profiles. A resume and Linked-in profile are marketing documents and should be held to the standard of marketing documents, a tease, nothing false, but they are not 100% complete either. This is why having multiple versions of our resume is OK. So to japanese architecture, the question, does someone have to put their most current position on what honor on 6.2 their resume or Linked-in profile? To put it in no plagiarism, a different perspective, does marketing collateral have to mention the newest product release features? The answer to both is no. However, all relevant information needs to be disclosed at what to spend on 6.2 the appropriate time during the Essay on Bartleby Bartleby, sale.
The question is what to spend honor on 6.2, when. Personally I have non-conflicting side businesses, they aren’t on my resume, but my employer will know of them before we reach agreement. My resume also doesn’t state that in on Bartleby the Scrivener: Bartleby, 1976 I worked for a now defunct company on to spend obsolete technology. However, if someone wants me to ruth patterns, go back 34 years on honor my job application, it will be listed. Hey Jack – Thanks for your comments. Interesting thought. And while I agree that both are marketing documents, I don’t think you can compare marketing collateral to a resume. I think the market requires a more complete and modern architecture, recent picture of your background.
Agree on older pieces of your history – anything 15 + years or older is no longer relevant. I like the to spend on 6.2, fact that you are challenging the status quo, however. And I’m sure a lot of people would agree with you . . . Hey Jack – Thanks for needs your comments. Interesting thought. Honor! And while I agree that both are marketing documents, I don’t think you can compare marketing collateral to a resume. Modern Architecture! I think the market requires a more complete and recent picture of your background.
Agree on honor on 6.2 older pieces of your history – anything 15 + years or older is no longer relevant. I like the fact that you are challenging the status quo, however. And I’m sure a lot of japanese architecture, people would agree with you . . What To Spend Honor On 6.2! . I feel absolutely no guilt indicating on needs a resume that a position is what, contractual when the reality may be that it is not for the simple that most states are “at will,” instead of right-to-work. No Plagiarism! The full-time allegedly permanent job that you just accepted that was less than optimum, that you probably only took due to sheer desperation (expired UI claim/about to to spend on 6.2, be homeless) can just as easily be pulled out from beneath you for whatever reason the employer decides to in a, trot out. I find it highly ironic all the soul searching/ethical concerns job seekers feel they must adhere to in this kind of situation. If employers did not treat employees like cat litter, perhaps I may feel differently, but my entire job experience has shown me that I am a disposable employee who can be fired on a moment’s notice for whatever reason the employer decides. Experience has taught me that if I don’t look out for my own best interests then no one else will. I feel absolutely no guilt indicating on to spend honor a resume that a position is contractual when the reality may be that it is not for the simple that most states are “at will,” instead of right-to-work. The full-time allegedly permanent job that you just accepted that was less than optimum, that you probably only took due to sheer desperation (expired UI claim/about to be homeless) can just as easily be pulled out from beneath you for whatever reason the employer decides to trot out. I find it highly ironic all the Essay, soul searching/ethical concerns job seekers feel they must adhere to in this kind of situation. If employers did not treat employees like cat litter, perhaps I may feel differently, but my entire job experience has shown me that I am a disposable employee who can be fired on a moment’s notice for whatever reason the employer decides.
Experience has taught me that if I don’t look out for my own best interests then no one else will. Almost four years ago, I left a great company and my marketing job here in Orange County, and to spend on 6.2, transferred to a small town in Arkansas for a new job with a “Fortune Ten” company. I took the new job in part because my then-girlfriend was offered a teaching job in the local school district, but mostly because I wanted to the Scrivener: The Mysterious, “take some risks.” After a few weeks, I realized the new job was not what I had hoped it would be (I was miserable), and left after just ninety days – with the help of an attorney who negotiated a release from my employment contract after my new boss threatened to sue me if I left. I put the what to spend honor on 6.2, job on my resume because it truly is a well-known and respected company, but found it became the focus of conversation in interviews – none of it positive. I explained it was not a “good fit” and “it wasn’t what I hoped it would be.” I never did find a permanent new job, so I ended up starting a small retail business and getting involved in many community activities in that same small town, which I just sold after three years so I could move back to Southern California with my new wife.
I’ve officially been back in the job market for a few weeks. I dropped the “bad” job from my resume, and refer to no plagiarism, the entire Arkansas experience (at least to my friends) as my “Green Acres” phase. Am I being dishonest? What would you do? Almost four years ago, I left a great company and my marketing job here in Orange County, and honor, transferred to maslow deficiency needs, a small town in what to spend on 6.2, Arkansas for a new job with a “Fortune Ten” company. I took the catcher, new job in to spend honor, part because my then-girlfriend was offered a teaching job in the local school district, but mostly because I wanted to “take some risks.”
After a few weeks, I realized the use semantics, new job was not what I had hoped it would be (I was miserable), and left after just ninety days – with the help of an attorney who negotiated a release from my employment contract after my new boss threatened to sue me if I left. I put the job on my resume because it truly is what to spend, a well-known and respected company, but found it became the focus of catcher notes, conversation in interviews – none of it positive. I explained it was not a “good fit” and “it wasn’t what I hoped it would be.” I never did find a permanent new job, so I ended up starting a small retail business and getting involved in to spend, many community activities in that same small town, which I just sold after three years so I could move back to no plagiarism, Southern California with my new wife. I’ve officially been back in the job market for what on 6.2 a few weeks. I dropped the “bad” job from my resume, and refer to the entire Arkansas experience (at least to my friends) as my “Green Acres” phase. Am I being dishonest? What would you do?
PrattleOn . . . Use Semantics Sentence! sounds like you have had some bad employer experiences and I have heard of many as well. I have no problem with you looking out for to spend #1, but just be careful that you do not put yourself in use semantics sentence, a position where you are explaining inaccuracies on what to spend honor your resume. In the worst case, it could get you fired form a great job. Sentence! One that you really want – and one that really wants you. To Spend On 6.2! Also, companies are also expanding their use of background checks – what if they see a job in your history that surprises them. In A Sentence! And what if that surprise causes them to to spend honor, reconsider or rescind an Essay on Bartleby the Scrivener: Bartleby, offer? By being straight up about your past, you can walk confidently into an interview knowing that you have nothing to hide . . . PrattleOn . What To Spend Honor! . . sounds like you have had some bad employer experiences and I have heard of many as well. I have no problem with you looking out for #1, but just be careful that you do not put yourself in a position where you are explaining inaccuracies on your resume. In the worst case, it could get you fired form a great job. Catcher In The Rye Cliff Notes! One that you really want – and one that really wants you. Also, companies are also expanding their use of background checks – what if they see a job in what to spend, your history that surprises them.
And what if that surprise causes them to reconsider or rescind an offer? By being straight up about your past, you can walk confidently into sentence, an interview knowing that you have nothing to hide . . . dstiel . . . This is to spend honor on 6.2, a great example of catcher rye cliff notes, where job seekers like yourself really struggle. You did, in my opinion, the to spend on 6.2, right thing by including the “bad job” and The Mysterious, were prepared to discuss it in interviews. What Honor On 6.2! And then things went bad. Catcher Rye Cliff! It is what on 6.2, a great moral dilemma.
As I said in the post, a good employer and their hiring staff should be open to in a sentence, hearing about your learning experience and what to spend on 6.2, should see your reflective comments as a positive. That you’ve learned and are ready to move on. I’d actually like to learn more about this one – maybe I can help you position it a little more clearly for future interviews. Feel free to give me a call. (949) 280-7043. dstiel . . . This is a great example of where job seekers like yourself really struggle. Catcher Rye Cliff Notes! You did, in my opinion, the what honor on 6.2, right thing by including the in a, “bad job” and were prepared to discuss it in what to spend honor on 6.2, interviews. And then things went bad.
It is a great moral dilemma. Ruth Benedict Patterns Of Culture! As I said in the post, a good employer and honor, their hiring staff should be open to no plagiarism, hearing about your learning experience and should see your reflective comments as a positive. That you’ve learned and what to spend on 6.2, are ready to move on. I’d actually like to learn more about Essay on Bartleby The Mysterious Bartleby this one – maybe I can help you position it a little more clearly for to spend honor on 6.2 future interviews. Feel free to give me a call. (949) 280-7043.
I guess it really depends of what you think a resume’s purpose is for. I believe for a career-focused professional, the purpose of your resume is to present a concise snapshot of your most relevant and positive credentials for employment. I don’t believe it’s supposed to act as an absolute chronological listing of in the rye cliff notes, every experience you’ve ever had. There are scenarios where it may not be appropriate to include a short employment engagement. It may have been a very short employment experience, say less than 2 months, that didn’t work out for a number of reasons: * Your experience on the job may have drastically differed from your expectations that were formed during the interview process. * The workplace was a caustic environment that was detrimental to honor on 6.2, your health. * The company folded within that short time frame and you didn’t really gain any relevant experience that furthers your skill sets. If you agree that a resume’s purpose is to include your most relevant and benedict patterns, positive credentials, that I don’t see how one could say that not including every experience you’ve ever had on your resume can be construed as “fudging” or being “dishonest”. I’m in sales and I can tell you that I don’t mention to my prospects every failed implementation of the product I’m selling no matter how few the number. Honor On 6.2! These failed implementations may have nothing to architecture, do with the product’s quality or that of our services staff.
The failure may have been due to the poor requirements laid out by the customer that dedicated no resources of their own to ensure the product’s successful implementation. Is it relevant to on 6.2, this prospect to mention this experience before they agree to purchase our product? Probably not. All it would do is introduce unnecessary Fear, Uncertainty and Doubt in benedict, the mind of the prospect and hurt my selling efforts because the experience is to spend, not relevant. That being said, if you are shifting dates to make them appear longer or to extend it to a new calendar year on the employment experiences you do list then this is being dishonest. In The Rye Cliff Notes! If you are listing experiences you’ve never had and what, degrees you never obtained then this is being dishonest. As the in the, saying goes, honesty is the best policy. I guess it really depends of what you think a resume’s purpose is for.
I believe for what honor a career-focused professional, the no plagiarism, purpose of to spend honor, your resume is to present a concise snapshot of your most relevant and positive credentials for needs employment. I don’t believe it’s supposed to act as an absolute chronological listing of every experience you’ve ever had. There are scenarios where it may not be appropriate to include a short employment engagement. It may have been a very short employment experience, say less than 2 months, that didn’t work out for a number of reasons: * Your experience on the job may have drastically differed from your expectations that were formed during the interview process. * The workplace was a caustic environment that was detrimental to your health. * The company folded within that short time frame and what honor, you didn’t really gain any relevant experience that furthers your skill sets. If you agree that a resume’s purpose is to include your most relevant and positive credentials, that I don’t see how one could say that not including every experience you’ve ever had on your resume can be construed as “fudging” or being “dishonest”. I’m in sales and I can tell you that I don’t mention to my prospects every failed implementation of the product I’m selling no matter how few the number. These failed implementations may have nothing to do with the product’s quality or that of deficiency needs, our services staff.
The failure may have been due to the poor requirements laid out by the customer that dedicated no resources of their own to ensure the product’s successful implementation. Is it relevant to this prospect to mention this experience before they agree to purchase our product? Probably not. All it would do is introduce unnecessary Fear, Uncertainty and Doubt in honor, the mind of the prospect and hurt my selling efforts because the experience is not relevant. That being said, if you are shifting dates to make them appear longer or to Essay on Bartleby, extend it to a new calendar year on to spend on 6.2 the employment experiences you do list then this is being dishonest. If you are listing experiences you’ve never had and degrees you never obtained then this is Essay on Bartleby the Scrivener: The Mysterious Bartleby, being dishonest. As the saying goes, honesty is the best policy. This is on 6.2, probably my favorite discussion happening on the blog right now. It really forces everyone to think through an issue that’s been in the public eye (football coaches getting fired for including a degree they never earned) and then forces everyone to turn the microscope on no plagiarism themselves. The provocative question being asked by you and others is: what is the purpose of a resume.
Is it a job seeker-created marketing piece or an employer created necessity. Based on someone’s answer there, the ability to to spend honor on 6.2, leave out deficiency, data or shift aspects becomes clearer. What On 6.2! At least where you stand. This question has done what I hoped it would do. Get everyone thinking and challenging each other. And I find myself re-thinking my original opinion – which is great. In the end, though, I will stick to my guns. While I think a resume is part of a marketing package of tools, I think the clear expectation from deficiency a potential employer is for to spend honor the reasonable accuracy. Which, I think, should include a listing of all your employment experience.
It turns from a marketing document to a employer document when it is ruth benedict, background check time. It is then that you will appreciate your honesty. If not, the to spend honor on 6.2, little thing you changed (which had no impact on the hiring decision anyway) may knock you off the horse. And in rare cases, prevent you from no plagiarism getting the job. This is probably my favorite discussion happening on the blog right now. It really forces everyone to think through an issue that’s been in the public eye (football coaches getting fired for what on 6.2 including a degree they never earned) and then forces everyone to turn the microscope on themselves. The provocative question being asked by you and others is: what is the modern japanese architecture, purpose of a resume. Is it a job seeker-created marketing piece or an employer created necessity. On 6.2! Based on someone’s answer there, the ability to leave out data or shift aspects becomes clearer.
At least where you stand. In The! This question has done what I hoped it would do. Get everyone thinking and challenging each other. And I find myself re-thinking my original opinion – which is great. In the on 6.2, end, though, I will stick to my guns. While I think a resume is part of a marketing package of tools, I think the clear expectation from a potential employer is for the reasonable accuracy.
Which, I think, should include a listing of all your employment experience. No Plagiarism! It turns from a marketing document to what on 6.2, a employer document when it is maslow needs, background check time. It is then that you will appreciate your honesty. If not, the little thing you changed (which had no impact on the hiring decision anyway) may knock you off the horse. And in rare cases, prevent you from getting the what, job. The original topic about fudging one’s resume has always been a simple one for me. I approach mine as I do my taxes. Architecture! I do both as accurately as I can.
Now, if my CPA rounds up my charitable contributions some, I don’t fight that. But my resume, that’s a different matter. It reflects me. Honor! Should I be tempted to embellish my resume, that’s the no plagiarism, same as being someone or something I am not. Life is complicated enough remaining honest and true to who you are and what you want to be. Trying to juggle more than one reality is simply too complicated and just plain wrong. It is most interesting to read the comments about others.
No one here said embellishing or lying is OK, something I would expect from those taking the what to spend honor on 6.2, time to post a reply in a forum as this one. There seems to sentence, be a difference of opinion on what a resume is honor, for. Modern Japanese Architecture! From a HR standpoint, a resume is to spend honor on 6.2, not a legal document. So, it can be incomplete and sentence, market only those skills and to spend, positions held you choose to. No resume contains fine print stating, “The information contained in this document is maslow needs, partial and only represents a portion of the what to spend, subject’s experience, data, etc.” However, the in the rye cliff, information it contains can be scrutinized and honor on 6.2, bite you if found to be false. An employment application IS a legal document and the reason why we all complete one. It has lots of fine print and disclaimers.
The original topic about no plagiarism fudging one’s resume has always been a simple one for me. I approach mine as I do my taxes. I do both as accurately as I can. Now, if my CPA rounds up my charitable contributions some, I don’t fight that. But my resume, that’s a different matter. It reflects me. Should I be tempted to what to spend, embellish my resume, that’s the same as being someone or something I am not. Life is complicated enough remaining honest and true to who you are and what you want to be. Trying to ruth, juggle more than one reality is to spend on 6.2, simply too complicated and just plain wrong. It is catcher rye cliff notes, most interesting to read the comments about what others. No one here said embellishing or lying is japanese, OK, something I would expect from those taking the time to post a reply in a forum as this one.
There seems to be a difference of opinion on what a resume is for. From a HR standpoint, a resume is not a legal document. So, it can be incomplete and what to spend, market only those skills and positions held you choose to. No resume contains fine print stating, “The information contained in this document is partial and only represents a portion of the subject’s experience, data, etc.” However, the information it contains can be scrutinized and bite you if found to be false. An employment application IS a legal document and the reason why we all complete one. It has lots of fine print and ruth benedict of culture, disclaimers. Stephen – Great point about the employment application. And the way it may be viewed differently (as a legal document) by the hiring company.
Best quote from your comment: “Trying to to spend honor, juggle more than one reality is simply too complicated”. Stephen – Great point about the employment application. And the way it may be viewed differently (as a legal document) by the hiring company. Best quote from your comment: “Trying to juggle more than one reality is simply too complicated”.
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Colossal Squid vs. Giant Squid: The Real Kraken Sea Monster. The giant squid and to spend honor, the colossal squid are two mythical sea monsters that turned out to no plagiarism, be all too real. The legend of the Kraken tells of a massive and terrifying creature which would emerge from the on 6.2, depths to pluck sailors off deck or pull entire ships to the bottom of the sea. Superstitious seafarers lived in fear of the beast, and in a, stories of ships that met their fates at the ends of huge tentacles spread throughout the world.
Really, the story of the Kraken dates back to Greek mythology, but the what to spend honor, monster we’re familiar with today has its roots in Norse legend. Even hundreds of years ago some of the more daring biologists presumed the use semantics in a, Kraken to be some kind of giant cephalopod, an octopus or squid, though this explanation didn’t always fit other descriptions of the beast. Today we assume this cephalopod model was borne from sightings of giant squid. What To Spend? As we can only imagine, standing on the deck of an old sailing ship at night while a massive giant squid surfaces just a few feet away must have been a terrifying experience for sailors who knew little of biology or the catcher rye cliff, natural world. So, while the myth of the Kraken may have begun because of early sailor’s fear of the ocean, it was probably perpetuated and molded by sightings of a real creature, the giant squid. And, of course, a 30-foot giant squid was likely exaggerated way out of what to spend honor, proportion each time the story was retold until it became the horrible Kraken, capable of needs, sinking ships and what honor on 6.2, causing all sorts of mayhem. By the patterns, height of the time when people were sailing for the New World the Kraken was tops on the list of superstitious sea terrors, along with Mermaids, Sea Serpents and ghost ships. Jules Verne even immortalized the Kraken in his classic 20,000 Leagues Under the Sea , where the submarine Nautilus is attacked by a massive cephalopod. In truth, the giant squid can’t sink a ship, and what honor, it’s not likely you’ll be snatched off deck by one. But it is a fascinating and dangerous creature we are only beginning to understand. Reports of in the, giant squid corpses date back to the 14 th century.
There have been hundreds of alleged cases of what to spend, huge squid washed ashore, found in the stomachs of notes, whales, caught in fishing rigs and found floating at the surface of the water. The facts tend to get muddled depending on who is telling the story or doing the on 6.2, examination. It was once thought the giant squid could reach lengths of sixty or seventy feet, but we now know that 35 feet from head to ruth patterns, the end of its tentacles is probably as big as they get. Still, these are large animals, and it’s no wonder they have earned such a fearsome reputation. The giant squid lives at great depths where it hunts fish and what to spend honor on 6.2, other squid. But even though these beasts are formidable predators, they aren’t quite at japanese architecture the top of the on 6.2, food chain.
They are prey for modern japanese, deep-diving sperm whales, though it is hard to imagine they go quietly. Many whales are found with scars from the what to spend honor, suckers of giant squid tentacles, remnants of the Scrivener: The Mysterious Bartleby, tremendous battles we can only imagine, fought far down in the lightless world of the ocean deep. The scientific genus of the giant squid is what on 6.2, called Architeuthis , and previously it was thought there could be as many as eight species found in different geographic locations. However, genetic testing done at no plagiarism the University of Copenhagen in 2013 concluded that there is actually only what to spend, one single species of Architeuthis, and only one population. This squid lives in almost every ocean of the no plagiarism, world, and what to spend honor, specimens have been collected from places as diverse as Scotland and New Zealand.
So how could there be only one population throughout the entire world? One theory has to do with plankton. Plankton consists of all kinds of tiny organisms which do not swim well on their own, and are carried around the ocean by currents. Some of these are the larvae of much larger creatures, such as crabs, fish and even cephalopods like the giant squid. Giant squid larvae are carried throughout the ocean currents until they are large and strong enough to find their own habitat. This explains not only how a single population can exists worldwide, but how the legend of the Kraken is so well known throughout different cultures. Until recently nobody had seen Architeuthis alive in ruth patterns of culture, its natural environment. All specimens had been collected either dead or dying, and so little was known about the to spend on 6.2, living animal.
That would change in 2004, when the giant squid finally revealed itself on camera. The first pictures of maslow, a giant squid in what to spend honor on 6.2, the wild came from Japanese researcher Dr. Tsunemi Kubodera of Japan's National Museum of Nature and Science in 2004. Essay Bartleby? The series of images showed a large squid at the end of what to spend honor on 6.2, a fishing line, and DNA testing of catcher in the rye cliff notes, tissue left on to spend, the hook identified it as a giant squid. The images were groundbreaking, and even non-scientists were stunned by this incredible creature. Two years later, in 2006, the first video evidence of Architeuthis surfaced. One clip was a fleeting shot of a large squid preying on smaller squids in the Sea of Cortez.
The other, filmed off the coast of Essay the Scrivener:, Japan, showed a much smaller squid just before it died. But it was the incredible 2012 video by to spend honor on 6.2 a team led by Dr. Kubodera, American researcher Dr. Edith Widder and marine biologist Dr.Steve O’Shea that stunned the world. Aired on the Discovery Channel during the special Monster Squid: the Giant is Real , it showed footage of a giant squid in attack mode, filmed from a submersible submarine. With amazing power and speed Architeuthis descended on no plagiarism, the bait, giving the team some excellent full-on shots of the creature. Finally, here was the mythical Kraken. Could it take down a sailing ship? Not likely, but there was no doubt by honor its ferocity it could pose a serious threat to any human diver it saw as prey. Even the much smaller Humboldt squid has been known to attack and injure divers.
At thirty feet or longer, with a ferocious beak and relentless tentacles, Architeuthis is a real sea monster come to life. Many people survive shark attacks every year, even by the feared Great White, but if the Kraken got hold of a human being there would be no hope. What could be more terrifying? How about a bigger Kraken? The colossal squid grows even longer than the in the rye cliff, giant squid, and has nasty hooks on what to spend honor on 6.2, its tentacles instead of only sentence, suckers. First discovered in to spend on 6.2, 1925, after almost a hundred years there is still little known about this monster. Like the the Scrivener: Bartleby, giant squid it lives at great depths, and adult are preyed on by deep-diving whales. The largest known specimen weighed in at over a thousand pounds, making this the largest cephalopod in the world.
However, based on comparisons with the beaks found in the guts of honor on 6.2, sperm whales, even this massive specimen appears to japanese, be average size. So how big can colossal squids get? For now nobody knows, but if 1,000 pounds is what to spend, a moderately sized squid we can only imagine. Colossal squids aren’t just longer than giant squids, they’re heavier creatures as well. Colossal squids have shorter tentacles, and much larger bodies. To put it another way, if a giant and colossal squid are the same length, the ruth benedict of culture, colossal squid will be much heavier. It’s easy to see, though they are both cephalopods, these two squid are not closely related.
They’re not even in the same genus, and the scientific name for the colossal squid is Mesonychoteuthis hamiltoni. If you’re worried about honor on 6.2, a huge, half-ton Kraken dragging you into the depths of the ocean, there is one piece of good news. Unlike the giant squid which lives in various climates throughout the world where people are present, the colossal squid’s habitat is limited to the frigid waters of the Essay The Mysterious, southern oceans. What On 6.2? It lives primarily around Antarctica and its range doesn’t extend past the southern tips of Africa and South America. That makes Architeuthis the better candidate for historical Kraken sightings, since it was probably seen much more often. But surely there had to be some encounters with Mesonychoteuthis hamiltoni as well, which would have only on Bartleby the Scrivener: Bartleby, served to bolster the to spend on 6.2, legend.
So has either of these beasts ever harmed a human? There are lots of reports from days of old, but it is not likely any are true. Still, there are some strange documented stories out there. In 2003 the crew of a racing yacht reported a giant squid attacked their boat and wouldn’t let go. In A? In 1874 a schooner called the Pearl was allegedly attacked and sunk by a giant squid. A Norwegian Naval vessel was allegedly attacked three times by a giant squid in 1930. Are these stories true? If so, might some of the old fisherman tales be true as well? As we learn more about these incredible creatures no doubt they will only become more interesting. But one question remains: If such massive creatures can remain hidden for what honor on 6.2, so long, what else might await us under the maslow deficiency needs, waves?
The possibilities seem almost endless. The legendary Kraken sea monster has been found in the form of the giant and what on 6.2, colossal squids. What’s next? How is it that such massive creatures have slipped past marine biologists for no plagiarism, so long? Types of Mollusk: Snails, Bivalves, Squid, and what to spend honor, More. Indiana Urban Legends, Monsters and Haunted Places. Top 10 Most Beautiful Animals in the World.
by Thomas Swan 96. What Are the maslow deficiency, Biggest Great White Sharks Ever Recorded? by sharkfacts 119. by leibwood 106. Are There Dangerous Sharks in what to spend on 6.2, British Waters? by sharkfacts 15.
what you have here really helped me know more about the kraken. Eric Dockett 4 years ago from USA. Thanks Beth. That line must be a remnant from my days as an in the rye cliff aspiring novelist, back when I was reading far too much Dean Koontz. :-) Yea, I finally had time to read it. What a great article. I didn't have the guts to watch the clips, finding sea creatures extremely distasteful, but it was a totally interesting subject and well written.
I have to say, I was especially impressed by this line, remnants of tremendous battles we can only imagine, fought far down in the lightless world of the ocean deep Nice job, and congratulations again! :) Yes, It is very interesting. Thief12 4 years ago from Puerto Rico. Great hub, and congrats on HOTD! I've always found those old images of squids dragging ships very interesting. This was an interesting read. When Myths mix meet facts it is beautiful thing. Great article. Marcy J. Miller 4 years ago from what Arizona. This was really interesting, Eric.
I'm happy to see it was chosen as HOTD -- congratulations! You presented it so well. Good job! Eric Dockett 4 years ago from USA. Thanks everyone for such kind comments. Ruth? What a surprise to see this Hub as a HOTD! Paradise7 4 years ago from honor on 6.2 Upstate New York. Terrific hub: fascinating subject.
I saw some things on the net about the ruth of culture, giant squid. To Spend? If these creatures have only whales as enemies, it's understandable how they can grow so large. Hey Eric, saw your name as I was signing out. In The Notes? had to sign back in and congratulate you. Haven't even had time to what to spend, read it yet. Looking forward to it! :) JR Krishna 4 years ago from India. Interesting and scary. Do such giant creatures really exist? Hats off to people who venture out in the sea. Dr Penny Pincher 4 years ago from Iowa, USA. If squid battle with whales, it is not that much of in a, a stretch to think squid could attack a submarine or a boat.
Who knows what could happen if a giant squid was really hungry and a small ship was in the area. Nathan Bernardo 4 years ago from California, United States of honor on 6.2, America. Fascinating. I can imagine what it must have been like hundreds of years ago and seeing that creature out at sea. Must have been awesome and terrifying, not knowing what it was. Inspiring that they got footage of the Giant Squid. Essay The Mysterious? More to learn always. Missing Link 4 years ago. watched the 2nd video---awesome, marine biologists had known about them for a long time---but did not have footage until recent years,
Eric Dockett 4 years ago from USA. Thanks Elias. The giant and colossal squid are incredible beasties. To Spend On 6.2? Who knows what else is down there? Elias Zanetti 4 years ago from Athens, Greece.
Interesting hub and facts about giant squids. It is a fascinating subject to read about such stories from the past. Science might have turned many of maslow deficiency, these 'tales' into facts but the ocean is still large and we cannot be sure what lurks in to spend, the deepest parts! Eric Dockett 4 years ago from USA. Thanks for the kind comments everyone! @ Sheila: I agree! There has to be so much down there we just haven't found yet!
@pstraubie: The event where the squid grabbed the maslow, boat is pretty well documented,and occurred with a racing yacht. The giant squid held on what on 6.2, for a while before it eventually gave up. While it had the Essay on Bartleby The Mysterious Bartleby, ship the rudder was disabled, and they were pretty much at to spend on 6.2 the mercy of the beasty! @nichelle: Weird stuff indeeds! Nichelle Webster 4 years ago from Silicon Valley. Ooooh. There is some weird stuff out there. Patricia Scott 4 years ago from sunny Florida.
A squid attacked a boat and maslow, would not let it go?? Could that be true? Scary to think of it but the what honor on 6.2, stuff of a good sea tale for certain. Thanks for sharing. it was a read that held my attention from beginning to end. Voted up and shared. Angels are on use semantics, the way ps.
Another great hub! I think there are so many sea creatures we don't yet know about because there isn't enough scientific study being done in the deeper parts of the oceans. I think it strange that we know more about the vast reaches of the honor on 6.2, universe than we do our own planet. Thanks for sharing the info about the giant and colossal squids. Copyright 2017 HubPages Inc. and respective owners. Japanese Architecture? Other product and company names shown may be trademarks of their respective owners.
HubPages ® is a registered Service Mark of HubPages, Inc. HubPages and Hubbers (authors) may earn revenue on to spend honor on 6.2, this page based on affiliate relationships and advertisements with partners including Amazon, Google, and benedict patterns of culture, others. Copyright 2017 HubPages Inc. and what to spend on 6.2, respective owners.